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Thigh Peak Torques and Lower-Body Injuries in Dancers
4 references·7 citing·25 second hop
Thigh Peak Torques and Lower-Body Injuries in Dancers (1997)Thigh Peak Torques and Lower-Body Injurie…An analysis of epidemiology and financial outcome (1993)An analysis of epidemiology a…Science of Dance Training (1989)Science of Dance TrainingRelationship between nutrient intake, body mass index, menstrual function, and ballet injury (1989)Relationship between nutrient…Cardiorespiratory responses to ballet exercise and the VO2max of elite ballet dancers. (1982)Cardiorespiratory responses t…Risk Factors for Lower-Extremity Injuries Among Contemporary Dance Students (2017)Risk Factors for Lower-Extrem…Cardiorespiratory Considerations in Dance (2015)Cardiorespiratory Considerati…Extrinsic and intrinsic risk factors associated with injuries in young dancers aged 8–16 years (2012)Extrinsic and intrinsic risk …Physical Fitness and Severity of Injuries in Contemporary Dance (2009)Physical Fitness and Severity…Association between selected physical fitness parameters and esthetic competence in contemporary dancers. (2009)Association between selected …The effect of an inclined landing surface on biomechanical variables during a jumping task (2007)The effect of an inclined lan…“Burnout” in Dance the Physiological Viewpoint (2000)“Burnout” in Dance the Physio…Physiological characteristics of classical ballet (1984)The Dancer as a Performing Athlete (2004)Physiological Fitness and Professional Classical Ballet Performance: A Brief Review (2009)Scoliosis and Fractures in Young Ballet Dancers (1986)STATISTICAL METHODS FOR ASSESSING AGREEMENT BETWEEN TWO METHODS OF CLINICAL MEASUREMENT (1986)Screening Tools as a Predictor of Injury in Dance: Systematic Literature Review and Meta-analysis (2018)Injuries in a Modern Dance Company (2003)Overuse Injuries in Professional Ballet (2015)Socio-cultural factors in the development of anorexia nervosa (1980)Fear of Obesity (1983)Occupational Musculoskeletal Disorders in Dancers (2003)A profile of the musculoskeletal characteristics of elite professional ballet dancers (1992)Theories of musculoskeletal injury causation (2001)Injury Patterns in Elite Preprofessional Ballet Dancers and the Utility of Screening Programs to Identify Risk Characteristics (2008)Musculoskeletal Injuries and Pain in Dancers: A Systematic Review (2008)Injuries in pre-professional ballet dancers: Incidence, characteristics and consequences (2013)The Effects of Rest and Subsequent Training on Selected Physiological Parameters in Professional Female Classical Dancers (1999)Preparing to Perform (2010)Physiologic Profiles of Female Professional Ballerinas (1984)Attitudes toward eating and body weight in different groups of female adolescent athletes (1988)Time Motion and Video Analysis of Classical Ballet and Contemporary Dance Performance (2011)Musculoskeletal injuries in the Norwegian National Ballet: a prospective cohort study (2002)Foot and Ankle Injuries in Dance (2006)Preventing dance injuries: current perspectives (2013)The Significance of Muscular Strength in Dance (2005)
this work references cited by second hop

References

  • 1993An analysis of epidemiology and financial outcome173 cited
  • 1982Cardiorespiratory responses to ballet exercise and the VO2max of elite ballet dancers.91 cited
  • 1989Relationship between nutrient intake, body mass index, menstrual function, and ballet injury75 cited
  • 1989Science of Dance Training69 cited

Cited by

  • 2015Cardiorespiratory Considerations in Dance67 cited
  • 2007The effect of an inclined landing surface on biomechanical variables during a jumping task59 cited
  • 2017Risk Factors for Lower-Extremity Injuries Among Contemporary Dance Students56 cited
  • 2012Extrinsic and intrinsic risk factors associated with injuries in young dancers aged 8–16 years55 cited
  • 2000“Burnout” in Dance the Physiological Viewpoint55 cited
  • 2009Physical Fitness and Severity of Injuries in Contemporary Dance53 cited
  • 2009Association between selected physical fitness parameters and esthetic competence in contemporary dancers.52 cited

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