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JASPER RIGOLE'S QUIXOTIC ART EXPERIMENTS WITH HOME MOVIES AND ARCHIVAL PRACTICES: The International Institute for the Conservation, Archiving, and Distribution of Other People's Memories (IICADOM)
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JASPER RIGOLE'S QUIXOTIC ART EXPERIMENTS WITH HOME MOVIES AND ARCHIVAL PRACTICES: The International Institute for the Conservation, Archiving, and Distribution of Other People's Memories (IICADOM) (2012)JASPER RIGOLE'S QUIXOTIC ART EXPERIMENTS …Saving Cinema: The Politics of Preservation (2011)Saving Cinema: The Politics o…Mining the home movie: excavations in histories and memories (2008)Mining the home movie: excava…The arcades project (2000)The arcades projectExperimental Ethnography: The Work of Film in the Age of Video (1999)Experimental Ethnography: The…On Collecting: An Investigation into Collecting in the European Tradition (1995)On Collecting: An Investigati…Archive Fever: A Freudian Impression (1995)Archive Fever: A Freudian Imp…Modern Criticism and Theory: A Reader (1991)Modern Criticism and Theory: …L'infra-ordinaire (1989)L'infra-ordinaireThe Writing of History (1988)The Writing of HistoryA Theory of Discourse: The Aims of Discourse (1972)A Theory of Discourse: The Ai…Labyrinths: Selected Stories and Other Writings (1962)Labyrinths: Selected Stories …Dust : the archive and cultural history (2001)A History of Swedish Experimental Film Culture: From Early Animation to Video Art (2010)The cinema of me: the self and subjectivity in first person documentary (2012)When the Moon Waxes Red: Representation, Gender and Cultural Politics (2014)Envisioning consumers: how videography can contribute to marketing knowledge (2017)Measuring Returns on Investments in Collectibles (1999)Productivity Orientation and the Consumption of Collectable Experiences (2010)Museums and art galleries as partners for public health interventions (2013)Witnessing (2001)Against Intellectual Monopoly (2008)Assessment Sensitivity: Relative Truth and its Applications (2014)Meetings of minds: Dialogue, sympathy, and identification, in reading fiction (1999)The Cambridge history of early Christian literature (2005)Reading for Learning (2014)Supporters, Followers, Fans, and Flaneurs (2002)Towards a Politics of Mobility (2010)The Politics and Poetics of Infrastructure (2013)Six Provocations for Big Data (2011)CRITICAL QUESTIONS FOR BIG DATA (2012)Sharing Versus Pseudo-Sharing in Web 2.0 (2014)Journalists as interpretive communities (1993)Venus in Two Acts (2008)Research Strategies for Organizational History: A Dialogue Between Historical Theory and Organization Theory (2013)EFFECTS OF DISCOURSE AND RESPONSE MODE ON THE MEASUREMENT OF WRITING COMPETENCE (1982)Genres, Text Types, or Discourse Modes? Narrative Modalities and Generic Categorization (2000)A modern history of written discourse analysis (2002)Une logistique expérientielle pour la firme de distribution : du « zéro défaut » au « zéro ennui » (2007)The Invisible City: Exploring the Third Something of Urban Life (2014)Actions in Time: After the breakage of pottery and before the construction of walls at the site of Castelo Velho de Freixo de Numão (2016)Qualitative methods: the new orthodoxy? (2002)Qualitative methods: touchy, feely, look-see? (2003)Memory texts and memory work: Performances of memory in and with visual media (2010)
this work references cited by second hop

References

  • 1995Archive Fever: A Freudian Impression3,449 cited
  • 2000The arcades project1,952 cited
  • 1962Labyrinths: Selected Stories and Other Writings766 cited
  • 1988The Writing of History675 cited
  • 1991Modern Criticism and Theory: A Reader487 cited
  • 1995On Collecting: An Investigation into Collecting in the European Tradition416 cited
  • 1999Experimental Ethnography: The Work of Film in the Age of Video315 cited
  • 1972A Theory of Discourse: The Aims of Discourse149 cited
  • 1989L'infra-ordinaire84 cited
  • 2008Mining the home movie: excavations in histories and memories72 cited
  • 2011Saving Cinema: The Politics of Preservation55 cited

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