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Intertextuality in Tunisian Cinema: State, Allegory, and ‘Sexual Breathing Room’
16 references·0 citing·31 second hop
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References

  • 2017Domination and the Arts of Resistance4,359 cited
  • 2020Rabelais and his world3,426 cited
  • 1986Third-World Literature in the Era of Multinational Capitalism1,602 cited
  • 2007Domination and the Arts of Resistance1,569 cited
  • 201715. The Death of the Author1,426 cited
  • 1999Ambiguities of Domination: Politics, Rhetoric, and Symbols in Contemporary Syria1,176 cited
  • 2015Third-World Literature in the Era of Multinational Capitalism996 cited
  • 1992Provisional notes on the postcolony973 cited
  • 2000Intertextuality833 cited
  • 1987Jameson's Rhetoric of Otherness and the "National Allegory"513 cited
  • 1972Marxism and Form: Twentieth-Century Dialectical Theories of Literature.497 cited
  • 2014A History of Modern Tunisia322 cited
  • 2015Jameson's Rhetoric of Otherness and the “National Allegory”280 cited
  • 1972Marxism and Form. Twentieth-Century Dialectical Theories of Literature228 cited
  • 1995Human Rights and Reform105 cited
  • 1999How Tunisia, Morocco, Jordan and even Egypt became IMF "Success Stories" in the 1990s

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