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This article examines the relationship among the issues of urgency, depth, provisionality, and temporality in ecocritical approaches to evaluating literary form and genre. It analyzes the criteria by which ecocritical judgments about texts are reached and suggests that ecocritics should evaluate texts from the viewpoint of environmental concern and be able to introduce environmental criteria into general cultural debate. It highlights the fact the many ecocritics feel that their work has an activist mission and cites the global warming issue as an example.
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