SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Characteristics of a Pigment Art Sequence: Woronora Plateau, New South Wales
0 references·12 citing·39 second hop
Characteristics of a Pigment Art Sequence: Woronora Plateau, New South Wales (2011)Characteristics of a Pigment Art Sequence…Critical evaluation of in situ analyses for the characterisation of red pigments in rock paintings: A case study from El Castillo, Spain (2022)Critical evaluation of in sit…Making visible the invisible. A microarchaeology approach and an Archaeology of Color perspective for rock art paintings from the southern cone of South America (2020)Making visible the invisible.…Dating Methods (Absolute and Relative) in Archaeology of Art (2020)Dating Methods (Absolute and …Drawing in the Land: Rock Art in the Upper Nepean, Sydney Basin, New South Wales (2019)Drawing in the Land: Rock Art…Second-hand? Insights into the age and ‘authenticity’ of colonial period rock art on the Sunshine Coast, Queensland, Australia (2017)Second-hand? Insights into th…Pigment characterisation in Australian rock art: a review of modern instrumental methods of analysis (2017)Pigment characterisation in A…Towards multiple ontologies (2016)Towards multiple ontologiesElemental fingerprinting of Kenya Rift Valley ochre deposits for provenance studies of rock art and archaeological pigments (2016)Elemental fingerprinting of K…Pigment geochemistry as chronological marker: The case of lead pigment in rock art in the Urrmarning ‘Red Lily Lagoon’ rock art precinct, western Arnhem Land (2014)Pigment geochemistry as chron…Hand Traces: Technical Aspects of Positive and Negative Hand-Marking in Rock Art (2014)Hand Traces: Technical Aspect…An LA-ICP-MS trace element classification of ochres in the Weld Range environ, Mid West region, Western Australia (2014)An LA-ICP-MS trace element cl…Taphonomy Or Paint Recipe: In situ portable x-ray fluorescence analysis of two anthropomorphic motifs from the Woronora Plateau, New South Wales (2012)Taphonomy Or Paint Recipe: In…The revolution that wasn't: a new interpretation of the origin of modern human behavior (2000)New ages for human occupation and climatic change at Lake Mungo, Australia (2003)A 100,000-Year-Old Ochre-Processing Workshop at Blombos Cave, South Africa (2011)Core-Shell Processing of Natural Pigment: Upper Palaeolithic Red Ochre from Lovas, Hungary (2015)Invasive and Non-Invasive Analyses of Ochre and Iron-Based Pigment Raw Materials: A Methodological Perspective (2021)TURQUOISE SOURCES AND SOURCE ANALYSIS: MESOAMERICA AND THE SOUTHWESTERN U.S.A. (1977)The cultural biography of objects (1999)Analytical Chemistry in Archaeology (2007)First in situ pXRF analyses of rock paintings in Erongo, Namibia: results, current limits, and prospects (2019)Early human use of marine resources and pigment in South Africa during the Middle Pleistocene (2007)Iron oxide geochemistry in the Great Lakes Region (North America): Implications for ochre provenance studies (2018)Mochena Borago Rockshelter, Ethiopia (2023)Handbook of rock art research (2001)Encyclopedia of archaeology (2008)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Development of defocusing micro-SORS mapping: a study of a 19 th century porcelain card (2017)Chemistry of prehistoric rock art pigments from the Indonesian island of Sulawesi (2019)Multi-analytical characterizations of prehistoric rock art pigments from Karim Cave, Sangkulirang–Mangkalihat site, East Kalimantan, Indonesia (2020)X-ray fluorescence spectrometry in art and archaeology (2000)Appropriated pasts: indigenous peoples and the colonial culture of archaeology (2006)Non‐destructive analysis using PXRF: methodology and application to archaeological ceramics (2011)Luminescence dating of rock art and past environments using mud-wasp nests in northern Australia (1997)U-Series Dating of Paleolithic Art in 11 Caves in Spain (2012)Pleistocene cave art from Sulawesi, Indonesia (2014)Of Revelation and Revolution, Volume 1 (1991)The temporality of the landscape (1993)Vibrant Matter: A Political Ecology of Things (2010)Australian artists as rock art researchers: Percy Leason’s theories on cave art (2022)CATEGORISING CATFISH, JEWFISH AND EEL MOTIFS IN LAURA (QUINKAN) ROCK ART, CAPE YORK PENINSULA, AUSTRALIA (2024)The Uses of Style in Archaeology (1994)THE CHALLENGE OF ‘TECHNOLOGICAL CHOICES’FOR MATERIALS SCIENCE APPROACHES IN ARCHAEOLOGY* (2000)Encyclopedia of Global Archaeology (2014)A critical assessment of the potential and limitations of physicochemical analysis to advance knowledge on Levantine rock art (2020)Micro-Raman spectroscopy and complementary techniques applied for the analysis of rock art paintings at the archaeological locality La Angostura, lower valley of Chubut River (Patagonia, Argentina) (2021)The World of the First Australians (1964)Archaeology of Ancient Australia (2007)The Chronology and Taphonomy of the Earliest Aurignacian and Its Implications for the Understanding of Neandertal Extinction (1999)Silo science and portable XRF in archaeology: a response to Frahm (2012)Characterizing paint technologies and recipes in Levantine and Schematic rock art: El Carche site as a case study (Jalance, Spain) (2022)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2012Taphonomy Or Paint Recipe: In situ portable x-ray fluorescence analysis of two anthropomorphic motifs from the Woronora Plateau, New South Wales49 cited
  • 2016Elemental fingerprinting of Kenya Rift Valley ochre deposits for provenance studies of rock art and archaeological pigments46 cited
  • 2014An LA-ICP-MS trace element classification of ochres in the Weld Range environ, Mid West region, Western Australia45 cited
  • 2020Making visible the invisible. A microarchaeology approach and an Archaeology of Color perspective for rock art paintings from the southern cone of South America34 cited
  • 2017Pigment characterisation in Australian rock art: a review of modern instrumental methods of analysis33 cited
  • 2022Critical evaluation of in situ analyses for the characterisation of red pigments in rock paintings: A case study from El Castillo, Spain17 cited
  • 2014Pigment geochemistry as chronological marker: The case of lead pigment in rock art in the Urrmarning ‘Red Lily Lagoon’ rock art precinct, western Arnhem Land17 cited
  • 2017Second-hand? Insights into the age and ‘authenticity’ of colonial period rock art on the Sunshine Coast, Queensland, Australia13 cited
  • 2019Drawing in the Land: Rock Art in the Upper Nepean, Sydney Basin, New South Wales7 cited
  • 2020Dating Methods (Absolute and Relative) in Archaeology of Art5 cited
  • 2014Hand Traces: Technical Aspects of Positive and Negative Hand-Marking in Rock Art4 cited
  • 2016Towards multiple ontologies

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2 cited