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Les performances d’improvisation de Tanya Tagaq : une analyse descriptive de la culture ethno-pop
10 references·0 citing·26 second hop
Les performances d’improvisation de Tanya Tagaq : une analyse descriptive de la culture ethno-pop (2015)Les performances d’improvisation de Tanya…Rock: The Primary Text (2017)Rock: The Primary TextHow Popular Musicians Learn (2017)How Popular Musicians LearnA Short History of Linguistics (2013)A Short History of LinguisticsLa Passion musicale (2007)La Passion musicaleTransnationalité et transethnicité chez les jeunes issus de milieux immigrés à Montréal (1993)Transnationalité et transethn…Systems of articulation, logics of change: Communities and scenes in popular music (1991)Systems of articulation, logi…Some Aspects of Inuit Vocal Games (1983)Some Aspects of Inuit Vocal G…Toward Transcription and Analysis of Inuit Throat-Games: Micro-Structure (1978)Toward Transcription and Anal…Toward Transcription and Analysis of Inuit Throat-Games: Macro-Structure (1978)Toward Transcription and Anal…PRESCRIPTIVE AND DESCRIPTIVE MUSIC-WRITING (1958)PRESCRIPTIVE AND DESCRIPTIVE …The Wellsprings of Music (1962)A course in phonetics . By Peter Ladefoged. New York: Harcourt Brace Jovanovich, 1975. Pp. xvi, 296. $5.95. (1977)Elements of Acoustic Phonetics (1996)Pulmonic ingressive phonation: Diachronic and synchronic characteristics, distribution and function in animal and human sound production and in human speech (2008)Gothic architecture and scholasticism (1957)The song of the nightingale: Processes of improvisation indastgāh Segāh(Iranian classical music) (1998)Interdisciplinary Perspectives on Breath, Body and World (2020)Club cultures: music, media and subcultural capital (1996)INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)Subcultures, Scenes or Tribes? None of the Above (2005)The Cambridge History of Hellenistic Philosophy (1999)The consequences of talking to strangers: Evolutionary corollaries of socio-cultural influences on linguistic form (2005)A Multilingual Perspective on Translanguaging (2017)Folk Song Style (1959)Action, Criticism and Theory for Music Education (2004)Prescriptive notation: Limits and challenges (2007)De génération en génération (2007)Liens transnationaux et transmission intergénérationnelle : le cas des familles mixtes au Québec (2011)Franco–Moroccan Transnational Space: Continuity and Transformations (2012)After the Individual in Society: Lessons on Collectivity from Science, Technology and Society (1997)An Essay on Framing and Overflowing: Economic Externalities Revisited by Sociology (1998)When things strike back: a possible contribution of ‘science studies’ to the social sciences (2000)The impact of informal music learning practices in the classroom, or how I learned how to teach from a garage band (2004)Can improvisation be ‘taught’?: A call for free improvisation in our schools (2009)Editorial: The Impact of Music on Human Development and Well-Being (2020)Exploring the integration of teaching and research in the contemporary classroom: An autoethnographic inquiry into designing an undergraduate music module on Adele’s 25 album (2021)
this work references cited by second hop

References

  • 1991Systems of articulation, logics of change: Communities and scenes in popular music893 cited
  • 2013A Short History of Linguistics620 cited
  • 2007La Passion musicale352 cited
  • 1958PRESCRIPTIVE AND DESCRIPTIVE MUSIC-WRITING239 cited
  • 2017How Popular Musicians Learn223 cited
  • 1983Some Aspects of Inuit Vocal Games35 cited
  • 1993Transnationalité et transethnicité chez les jeunes issus de milieux immigrés à Montréal28 cited
  • 1978Toward Transcription and Analysis of Inuit Throat-Games: Macro-Structure19 cited
  • 1978Toward Transcription and Analysis of Inuit Throat-Games: Micro-Structure17 cited
  • 2017Rock: The Primary Text5 cited

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