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The Emasculated Possession: The Photographic Representation of Haiti
5 references·0 citing·15 second hop
The Emasculated Possession: The Photographic Representation of Haiti (2008)The Emasculated Possession: The Photograp…The Photography Reader (2003)The Photography ReaderThe Wretched of the Earth (2000)The Wretched of the EarthThe Red Fez: Art and Spirit Possession in Africa (1997)The Red Fez: Art and Spirit P…The Uses Of Haiti (1994)The Uses Of HaitiTheory of Religion (1989)Theory of ReligionUnsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation--An Argument (2003)ON THE COLONIALITY OF BEING (2007)Decolonization is not a metaphor (2012)‘Dirty Indians’, Radical Indígenas, and the Political Economy of Social Difference in Modern Ecuador1 (1998)The Global Impact of Gangs (2005)The New African Diaspora (2009)Africa, Empire, and Anthropology: A Philological Exploration of Anthropology's Heart of Darkness (1999)Rethinking Ancestors and Colonial Power in Madagascar (2001)Slavery, Memory and Religion in Southeastern Ghana, c. 1850–Present (2015)Art Rules: Pierre Bourdieu and the Visual Arts (2007)Seeing things: Violence, voyeurism and the camera (2014)Selfies, Image and the Re-making of the Body (2015)Religion and the New Immigrants (2003)Religious Identities and Religious Institutions (2003)Becoming Abject: Rape as a Weapon of War (2005)
this work references cited by second hop

References

  • 2000The Wretched of the Earth7,493 cited
  • 1989Theory of Religion236 cited
  • 1994The Uses Of Haiti160 cited
  • 2003The Photography Reader97 cited
  • 1997The Red Fez: Art and Spirit Possession in Africa70 cited

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