Chaucer and Costume: The Secular Pilgrims in the General Prologue

Samantha Mullaney · Laura F. Hodges

26 citations0/0 files storedThe Modern Language Review

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Medieval Literature and History Fashion and Cultural Textiles Historical, Literary, and Cultural Studies

Abstract

Introduction - Chaucer's costume rhetoric costume rhetoric in the Knight's Portrait - Chaucer's every-knight and his bismotered gypon Chaucer's squire - embrouded was he mottelee - for the merchant no one knew the Sergeant's misunderstood medlee cote and missing accessories a hierarchy of blades and bags - the Franklin, Yeoman, Guildsman, Shipman, Miller, Reeve and the Pardoner fabric as sign - the Yeoman's grene and the Shipman's faldyng the Wife of Bath's costumes -reading the subtexts costume rhetoric for the rising peasant class - the Miller, Knight Manque and the Plowman Miles Christi conclusion - Chaucer the conteor - clother in good works.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 26 citations exist upstream.

Cited by

2019Literary Value and Social Identity in the Canterbury Tales 2006Povre Griselda and the All-Consuming Archewyves 2008Hybrid Discourse in the General Prologue Portraits 2009The Worthiness of Chaucer’s Worthy Knight 2003Moral and Social Identity and the Idea of Pilgrimage in the General Prologue 2006Chaucer's Warrior Bowman: The Roles and Equipment of the Knight's Yeoman 2013The social significance of late medieval dress accessories 2007Privitee, Habitus, and Proximity: Conduct and Domestic Space in Chaucer's Troilus and Criseyde

Imported from OpenAlex (CC0) — nothing here is generated.