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Russia's New Anthem and the Negotiation of National Identity
16 references·0 citing·32 second hop
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this work references cited by second hop

References

  • 1985Imagined Communities. Reflections on the Origin and Spread of Nationalism25,901 cited
  • 1990Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning314 cited
  • 1995Heartland excursions: ethnomusicological reflections on schools of music225 cited
  • 2001Nationalists, cosmopolitans, and popular music in Zimbabwe212 cited
  • 1995Cassette Culture: Popular Music and Technology in North India209 cited
  • 1998The Soviet Experiment: Russia, the U.S.S.R., and the Successor States175 cited
  • 1990"Our Tradition Is a Very Modern Tradition": Popular Music and the Construction of Pan-Yoruba Identity160 cited
  • 1997May It Fill Your Soul: Experiencing Bulgarian Music130 cited
  • 1998Defining Russia Musically: Historical and Hermeneutical Essays112 cited
  • 1997Linguistics and Semiotics in Music103 cited
  • 1994Puerto Rican Music and Cultural Identity: Creative Appropriation of Cuban Sources from Danza to Salsa83 cited
  • 1998"National in Form, Socialist in Content": Musical Nation-Building in the Soviet Republics80 cited
  • 2001Echoes of History: Naxi Music in Modern China69 cited
  • 1995Metaphors of Power, Metaphors of Truth: The Politics of Music Professionalism in Bulgarian Folk Orchestras63 cited
  • 1998

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Mirror, Mediator, and Prophet: The Music Indaba of Late-Apartheid South Africa
59 cited
  • 1994Anraje to Angaje: Carnival Politics and Music in Haiti57 cited
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