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The Blind Men and the Elephant: Scholars on Popular Music
15 references·0 citing·26 second hop
The Blind Men and the Elephant: Scholars on Popular Music (1965)The Blind Men and the Elephant: Scholars …Panorama of American Popular Music... (1957)Panorama of American Popular …Victorian Song, from Dive to Drawing Room (1956)Victorian Song, from Dive to …The public arts (1956)The public artsMusic in the Renaissance (1954)Music in the RenaissanceListening to Popular Music (1950)Listening to Popular MusicMusic in the Baroque Era (1949)Music in the Baroque EraA History of Popular Music in America (1948)A History of Popular Music in…Harvard Dictionary of Music (1946)Harvard Dictionary of MusicHarvard Dictionary of Music (1944)Harvard Dictionary of MusicMusic in Western Civilization (1942)Music in Western CivilizationOn Popular Music (1941)On Popular MusicMusic in the Middle Ages (1941)Music in the Middle AgesThe facts of life in popular song (1934)The facts of life in popular …The National Music of America and Its Sources (1900)The National Music of America…The Literature of National Music (1878)The Literature of National Mu…The Bias of Communication (1949)Covert and Casual Values in Recent Writings about Music (1987)How German Is It? Nationalism and the Idea of Serious Music in the Early Nineteenth Century (1998)Discant, Counterpoint, and Harmony (1962)Art As Collective Action (1974)On Compositional Process in the Fifteenth Century (1987)Historical Aspects of Ethnomusicology (1958)A Four-Part "In seculum" Hocket and a Mensural Sequence in an Unknown Fragment (1984)Music and Ethical Responsibility (2014)Thematic fame, melodic originality, and musical zeitgeist: A biographical and transhistorical content analysis. (1980)Music, Mood, and Marketing (1990)Art music from 1800 to 1860 (1998)Popular song and popular music on stage and film (1998)Chinatown, Whose Chinatown? Defining America's Borders with Musical Orientalism (2004)Effects of Associating with Musical Genres on Heterosexual Attraction (1989)Action, Criticism and Theory for Music Education (2004)To Tell the Truth and Not Get Trapped: Desire, Distance, and Intersectionality at the Scene of Argument (2013)MEDIA AND THE SOCIAL CONSTRUCTION OF REALITY (1984)Producing Artistic Value: The Case of Rock Music (1994)Insect Media: An Archaeology of Animals and Technology (2010)Full and Short Scores in the Accompaniment of Italian Church Music in the Early Baroque (1977)Musical Fact and the Semiology of Music (1990)Aspects of musical modernism: the Afrikaans song cycles of Cromwell Everson (2011)Electric/electrical and classic/classical:Variation between the suffixes– icand‐ical (1999)A NEW LINK BETWEEN THE MOTET AND TROUVÈRE CHANSON: THEPEDES-CUM-CAUDAMOTET (2013)Toward a New, Musical Paradigm of Place: The Port River Symphonic of Chester Schultz (2014)
this work references cited by second hop

References

  • 1941On Popular Music400 cited
  • 1946Harvard Dictionary of Music334 cited
  • 1942Music in Western Civilization150 cited
  • 1954Music in the Renaissance149 cited
  • 1950Listening to Popular Music132 cited
  • 1949Music in the Baroque Era95 cited
  • 1941Music in the Middle Ages72 cited
  • 1948A History of Popular Music in America58 cited
  • 1944Harvard Dictionary of Music46 cited
  • 1956The public arts19 cited
  • 1956Victorian Song, from Dive to Drawing Room9 cited
  • 1957Panorama of American Popular Music...9 cited
  • 1900The National Music of America and Its Sources9 cited
  • 1934The facts of life in popular song8 cited
  • 1878The Literature of National Music6 cited

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