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MALACHITE AND GREEN VERDITER
10 references·16 citing·28 second hop
MALACHITE AND GREEN VERDITER (1974)MALACHITE AND GREEN VERDITERTechnical Studies in the Field of the Fine Arts (1977)Technical Studies in the Fiel…VERMILION AND CINNABAR (1972)VERMILION AND CINNABARVERDIGRIS AND COPPER RESINATE (1970)VERDIGRIS AND COPPER RESINATE2. Ultramarine Blue, Natural and Artificial (1966)2. Ultramarine Blue, Natural …Ancient Egyptian Materials and Industries (1963)Ancient Egyptian Materials an…The materials and techniques of medieval painting (1956)The materials and techniques …De re metallica (1950)De re metallicaAncient Egyptian Materials and Industries (1948)Ancient Egyptian Materials an…Excavations at Kaminaljuyu, Guatemala (1945)Excavations at Kaminaljuyu, G…Painting Materials : a Short Encyclopedia (1943)Painting Materials : a Short …Raman spectroscopy of green minerals and reaction products with an application in Cultural Heritage research (2016)Raman spectroscopy of green m…Early Islamic pigments at Nishapur, north-eastern Iran: studies on the painted fragments preserved at The Metropolitan Museum of Art (2016)Early Islamic pigments at Nis…Writing in the Insular world (2011)Writing in the Insular worldThe material fabric of early British books (2011)The material fabric of early …The biblical manuscripts of Anglo-Saxon England (2011)The biblical manuscripts of A…Manuscripts of theAnglo-Saxon Chronicle (2011)Manuscripts of theAnglo-Saxon…English vernacular script (2011)English vernacular scriptAnglo-Saxon scribes and scriptoria (2011)Anglo-Saxon scribes and scrip…Thirteenth century wall paintings under the Siena Cathedral (Italy). Mineralogical and petrographic study of materials, painting techniques and state of conservation (2006)Thirteenth century wall paint…The 'Portail de la Mere Dieu' of Amiens Cathedral: Its Polychromy and Conservation (1998)The 'Portail de la Mere Dieu'…An Examination of the Patina and Corrosion Morphology of Some Roman Bronzes (1994)An Examination of the Patina …A Study of the Materials Used by Medieval Persian Painters (1991)A Study of the Materials Used…Green Copper Pigments of Old Russian Frescoes (1990)Green Copper Pigments of Old …Identification of Ancient Persian Pigments from Persepolis and Pasargadae (1984)Identification of Ancient Per…Analyse non destructive des pigments par microsonde Raman laser: exemples de l'azurite et de la malachite (1984)Analyse non destructive des p…Some Applications of Infrared Spectroscopy in the Examination of Painting Materials (1979)Some Applications of Infrared…Cross-Sections and Chemical Analysis of Paint Samples (1956)Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts (1997)Applications of synchrotron-based micro-imaging techniques to the chemical analysis of ancient paintings (2008)Cinnabar reviewed: characterization of the red pigment and its reactions (2014)Evidence for cultivation of sesame in the ancient world (1986)Clay and iron oxide pigments in the history of painting (2003)Was the Wealth of Nations Determined in 1000 BC? (2010)Colour and art: A brief history of pigments (2005)Animal origin of 13th-century uterine vellum revealed using noninvasive peptide fingerprinting (2015)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Corrosion of ancient Chinese bronze money trees studied by Raman microscopy (1999)A Review of Copper Chlorides and Related Salts in Bronze Corrosion and as Painting Pigments (2000)ATR-FT-IR spectroscopy in the region of 550–230 cm−1 for identification of inorganic pigments (2009)Modeling Interregional Interaction in Prehistory (1987)The Political Impact of Trade in Chiefdoms (1989)The Place of Chronological Ordering in Archaeological Analysis (1997)Identification by Raman microscopy and visible reflectance spectroscopy of pigments on an Icelandic manuscript (1995)The analysis of polychrome works of art: 40 years of infrared spectroscopic investigations (2001)The Influence of Varnishes on the Appearance of Paintings (1987)Lead soaps in paintings: Friends or foes? (2016)Raman microscopy: The identification of lapis lazuli on medieval pottery fragments from the south of Italy (1997)Characterization of lapis lazuli and corresponding purified pigments for a provenance study of ultramarine pigments used in works of art (2011)Mapping the pigment distribution of Vermeer’s Girl with a Pearl Earring (2020)Risk Analysis and Risk Management: An Historical Perspective (1985)Ancient and modern laminated composites — from the Great Pyramid of Gizeh to Y2K (2000)The Capitalocene, Part I: on the nature and origins of our ecological crisis (2017)The Cambridge Ancient History (1971)An Attic Country House below the Cave of Pan at Vari (1973)
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References

  • 1963Ancient Egyptian Materials and Industries549 cited
  • 1948Ancient Egyptian Materials and Industries547 cited
  • 1950De re metallica360 cited
  • 1956The materials and techniques of medieval painting252 cited
  • 1945Excavations at Kaminaljuyu, Guatemala192 cited
  • 1972VERMILION AND CINNABAR156 cited
  • 1943Painting Materials : a Short Encyclopedia155 cited
  • 1970VERDIGRIS AND COPPER RESINATE144 cited
  • 1977Technical Studies in the Field of the Fine Arts124 cited
  • 19662. Ultramarine Blue, Natural and Artificial99 cited

Cited by

  • 2016Raman spectroscopy of green minerals and reaction products with an application in Cultural Heritage research82 cited
  • 1994An Examination of the Patina and Corrosion Morphology of Some Roman Bronzes68 cited
  • 1991A Study of the Materials Used by Medieval Persian Painters60 cited
  • 2011Manuscripts of theAnglo-Saxon Chronicle57 cited
  • 2011Anglo-Saxon scribes and scriptoria53 cited
  • 1979Some Applications of Infrared Spectroscopy in the Examination of Painting Materials

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53 cited
  • 2011The biblical manuscripts of Anglo-Saxon England52 cited
  • 1984Analyse non destructive des pigments par microsonde Raman laser: exemples de l'azurite et de la malachite52 cited
  • 2006Thirteenth century wall paintings under the Siena Cathedral (Italy). Mineralogical and petrographic study of materials, painting techniques and state of conservation46 cited
  • 1998The 'Portail de la Mere Dieu' of Amiens Cathedral: Its Polychromy and Conservation38 cited
  • 2011The material fabric of early British books37 cited
  • 2011Writing in the Insular world36 cited
  • 1984Identification of Ancient Persian Pigments from Persepolis and Pasargadae34 cited
  • 2011English vernacular script33 cited
  • 1990Green Copper Pigments of Old Russian Frescoes30 cited
  • 2016Early Islamic pigments at Nishapur, north-eastern Iran: studies on the painted fragments preserved at The Metropolitan Museum of Art27 cited