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Involving the Performers in Transcription and Analysis: A Collaborative Approach to Dhrupad
2 references·13 citing·44 second hop
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References

  • 1985The Study of Ethnomusicology: Twenty-Nine Issues and Concepts515 cited
  • 2001Improvisation: methods and models342 cited

Cited by

  • 2011Generalized Representations of Musical Time and Periodic Structures32 cited
  • 1999A reassessment of the relationship between text, speech tone, melody, and aria structure in Beijing Opera31 cited
  • 2006INTRODUCTION Analysis, Categorization, and Theory of Musics of the World26 cited
  • 2022Temporal Transformations in Cross-Cultural Perspective. Augmentation in Baroque, Carnatic and Balinese Music26 cited
  • 1995Where the Action is: On Collaborative Action Research in Education14 cited
  • 1997Le métre et le tāl dans la musique de l'inde du nord14 cited
  • 1999A. H. Fox Strangways andThe Music of Hindostan: Revisiting Historical Field Recordings14 cited
  • 2020Practices of Music Education in Gurukul and Related Systems6 cited
  • 2015Sonic Performativity: Analysing Gender in North Indian Classical Vocal Music6 cited
  • 2005Singing the Past: Vietnamese Ca Tru, Memory, and Mode6 cited
  • 2011Dynamics of melodic discourse in Indian music: Budhaditya Mukherjee’s ālāp in rāg Pūriyā-Kalyān5 cited
  • 2023Sonic Figurations for the Anthropocene: A Musical Bestiary in the Compositions of Liza Lim4 cited

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  • 2021A study of variability in raga motifs in performance contexts4 cited