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Catharsis, Communication, and Evocation: Alternative Views of the Sociopsychological Functions of Blues Singing
4 references·0 citing·12 second hop
Catharsis, Communication, and Evocation: Alternative Views of the Sociopsychological Functions of Blues Singing (1979)Catharsis, Communication, and Evocation: …Conversation with the blues (1998)Conversation with the bluesLe Cru et Le Cuit (1966)Le Cru et Le CuitThe Meaning of the Blues (1964)The Meaning of the BluesThe Structure of Social Action (1938)The Structure of Social ActionCondition de classe et position de classe (1966)Organization as an Effect of Mediation: Redefining the Link Between Organization and Communication (1997)[In]visible [in]tangibles: Visual portraits of the business élite (2009)Really the ‘Walking Blues’: Son House, Muddy Waters, Robert Johnson and the development of a traditional blues (1981)The Diminishing Rural Residue of Folklore in City and Urban Blues, Chicago 1915-1950 (1992)The Influences of Hispanic Music Cultures on African-American Blues Musicians (2002)A Theory of Co-operation and Competition (1949)Theory in Anthropology since the Sixties (1984)For Public Sociology (2005)Veiled Testimony: Negro Spirituals and the Slave Experience (1983)The politics of authenticity in popular music: The case of the blues (1986)Rhythms of Labour: Music at Work in Britain (2013)
this work references cited by second hop

References

  • 1938The Structure of Social Action3,934 cited
  • 1966Le Cru et Le Cuit206 cited
  • 1998Conversation with the blues24 cited
  • 1964The Meaning of the Blues22 cited

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