God, Satan, and King Charles: Milton's Royal Portraits

Abstract

Between the interpretation in Milton's prose works of the monarchy of Charles I and the portrayal in Paradise Lost of the tyranny of Satan there exists an extensive and complex consistency based on the concept of the divine right of kings, a doctrine that informs the character and world view of Satan as well as of King Charles. In his effort to counteract the Eikon Basilike's picture of Charles as a Christlike martyr-king, Milton drew in Eikonoklastes—albeit in fragmentary form—his own essentially fictional characterization of Charles as a tyrant. This analysis, continued in the Defences, studies Charles's personal heroism, political behavior, delusions about himself, his followers, and his cause and is extensively paralleled in the depiction of Satan. These prose works thus serve as a valuable literary gloss on Paradise Lost—on certain details of imagery and characterization and on Milton's conception of true liberty and revolution.

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