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Ellington: The Early Years
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Ellington: The Early Years (1992)Ellington: The Early YearsMcKinney’s Cotton Pickers and the “Unseen Audience”: Constructing Blackness on the Radio (2019)McKinney’s Cotton Pickers and…"Myriad Subtleties": Subverting Racism through Irony in the Music of Duke Ellington and Dizzy Gillespie (2015)"Myriad Subtleties": Subverti…The Genesis of "Black, Brown and Beige" (2002)The Genesis of "Black, Brown …Evidence: Monk as Documentary Subject (1999)Evidence: Monk as Documentary…Ragtime and early jazz (1998)Ragtime and early jazzRevisiting Fletcher Henderson's "Copenhagen" (1995)Revisiting Fletcher Henderson…When Harlem was in Vogue (1981)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Constructing the Jazz Tradition: Jazz Historiography (1991)Sanity, Madness and the Family (1965)Feminine Endings: Music, Gender, and Sexuality (1992)Gender, genius and rock and roll in‘Roy Orbison and Friends: A Black and White Night’ (2011)Music Is My Mistress (1974)The swing era: the development of jazz, 1930-1945 (1989)"New Music" and the "New Negro": The Background of William Grant Still's "Afro-American Symphony" (1992)Image-Music-Text (1977)Orality and Literacy (1982)The Black Atlantic: Modernity and Double Consciousness. (1997)Anatomy of Criticism (1957)The Black Atlantic: Modernity and Double Consciousness (1994)Modernity at Large: Cultural Dimensions of Globalization. (1998)Clef Club Inc.: James Reese Europe and New York's Musical Marketplace (2012)Listening In: Radio and the American Imagination (1999)The Audible Past (2003)Black Skin, White Masks (2023)Whiteness and the Problem of Colourblind Listening: Revisiting Leonard Feather's 1951 Blindfold Test with Roy Eldridge (2024)
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Cited by

  • 1998Ragtime and early jazz17 cited
  • 2019McKinney’s Cotton Pickers and the “Unseen Audience”: Constructing Blackness on the Radio15 cited
  • 1999Evidence: Monk as Documentary Subject13 cited
  • 1995Revisiting Fletcher Henderson's "Copenhagen"9 cited
  • 2002The Genesis of "Black, Brown and Beige"7 cited
  • 2015"Myriad Subtleties": Subverting Racism through Irony in the Music of Duke Ellington and Dizzy Gillespie2 cited

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