Dante's Modern Afterlife: Reception and Response from Blake to Heaney

Abstract

Acknowledgements Notes on the Contributors Introduction: Dante's Afterlife: 1321-1997 N. Havely (editor) Selective Bibliography Pre-Romantic Prologue: Foreseeing and Foreknowing: Dante's 'Ugolino' and the Eton College Ode of Thomas Gary J. Roe Romantic Readings: Dante and Blake: Allegorizing the Event J. Tambling Figuration in Shelley and Dante S. Curran The Shelleys and Dante's Matilda W. Keach Victorian Evaluations: Moral Luck in the Second Circle: Dante and the Victorian Fate of Tragedy A. Milbank 'The Perilous Depth of Doubt': Dante, Plumptre and Victorian Faith R. Pite Modern Revisions: Ezra Pound: Quotation and Community M. Reynolds Dante and Louis MacNeice: a Sequel to the Commedia S. Ellis Purgatory Regained? Beckett and Dante H. Haughton Echoes in Post-War Italy: Micol and Beatrice: Echoes of the Vita Nuova in Giorgio Bassani's Garden of the Finzi-contini J. Woolf 'Una Fitta di Rimorso': Dante in Sereni P. Robinson Contemporary Directions: 'Prosperous People' and 'The Real Hell' in Gloria Naylor's Linden Hills N. Havely The Place of the Poet: Dante in Walcott's Narrative Poetry M. Balfour Dante's Versatility and Seamus Heaney's Modernism B. O'Donoghue 'The Deep and Savage Path': Translation of Inferno, Canto 2 S. Heaney Index

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