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"The Text Must Remain the Same": History, Collective Memory, and Sung Poetry in Morocco
13 references·6 citing·34 second hop
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this work references cited by second hop

References

  • 1979Symbolic Power525 cited
  • 1990Literacy and Orality: Studies in the Technology of Communication.449 cited
  • 1991"Peaks of Yemen I summon": poetry as cultural practice in a North Yemeni tribe283 cited
  • 1996Gender on the Market250 cited
  • 2004A World of Others' Words: Cross-Cultural Perspectives on Intertextuality245 cited
  • 2003Making music in the Arab world: the culture and artistry of tarab217 cited
  • 1998Impasse of the angels: scenes from a Moroccan space of memory174 cited
  • 2005A World of Others’ Words. Cross-Cultural Perspectives on Intertextuality156 cited
  • 1994Yearbook for Traditional Music, 23 (1991). Published by the International Council for Traditional Music. 198 pp. paperbound. Included with $30 ICTM membership. - Music and Dance of Aboriginal Australia and the South Pacific: The Effects of Documentation on the Living Tradition edited by Alice Marshall Moyle. Oceania Monograph 41. Sydney: University of Sydney, 1992. iv + 286 pp. paperbound. - Polynesian Music and Dance, by Richard Moyle. Auckland: Centre for Pacific Studies, University of Auckland, 1991. 64 pp. $10 paperbound.117 cited
  • 2001Intertexts: Writings on Language, Utterance, and Context117 cited
  • 1996Heroic Poets, Poetic Heroes: The Ethnography of Performance in an Arabic Oral Epic Tradition77 cited
  • 1977Time in a Complex Society: A Moroccan Example48 cited
  • 1942Tableau de la musique marocaine33 cited

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Cited by

  • 2012Embodying the Countryside in ʿAiṭa Ḥaṣbawiya (Morocco)19 cited
  • 2019Layers and Elasticity in the Rhythm of Noh Songs19 cited
  • 2019An Approach to Musical Rhythm in Agbadza14 cited
  • 2017Performing ‘L-ʿalwa’: a sacred and erotic journey in Morocco4 cited
  • 2019Thought and Play in Musical Rhythm3 cited
  • 2019Modern Drum Solos Over Ostinatos2 cited