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African Talking Drums and Oral Noetics
1 references·3 citing·15 second hop
African Talking Drums and Oral Noetics (1977)African Talking Drums and Oral NoeticsHistorical Backgrounds of Elizabethan and Jacobean Punctuation Theory (1944)Historical Backgrounds of Eli…The Talking Balafon of the Sambla: Grammatical Principles and Documentary Implications (2019)The Talking Balafon of the Sa…The Case of/for Communication (What Does It Mean to Study Popular Music?) (2014)The Case of/for Communication…‘Primitive Man’ and Media Time in H.M. Stanley’s Through the Dark Continent (2013)‘Primitive Man’ and Media Tim…The musical form in rhetorical exchange: Theoretical considerations (1972)Popular Music and Communication. (1988)Cultural Theory and Popular Culture: A Reader (1994)TIME, WORK-DISCIPLINE, AND INDUSTRIAL CAPITALISM (1967)Time and the Other: How Anthropology Makes Its Object (1983)Imperial leather: race, gender and sexuality in the colonial contest (1996)Tone in Lexical Phonology (1986)Linguistics: The Cambridge Survey (1988)Documentary and descriptive linguistics (1998)A Flute, Musical Bows and Bamboo Clarinets that “Speak” in the Amazon Rainforest; Speech and Music in the Gavião Language of Rondônia (2021)Singing the Individual: Name Tunes in Oyda and Yopno (2021)On African Music (2023)Psycholinguistic Approaches to a Theory of Punctuation (1978)Commas and canaries: the role of punctuation in speech and writing (2001)Why Do We Quote? The Culture and History of Quotation (2011)
this work references cited by second hop

References

  • 1944Historical Backgrounds of Elizabethan and Jacobean Punctuation Theory58 cited

Cited by

  • 2019The Talking Balafon of the Sambla: Grammatical Principles and Documentary Implications34 cited
  • 2013‘Primitive Man’ and Media Time in H.M. Stanley’s Through the Dark Continent13 cited
  • 2014The Case of/for Communication (What Does It Mean to Study Popular Music?)2 cited

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