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"The Seeming Counterfeit": Racial Politics and Early Blackface Minstrelsy
3 references·9 citing·34 second hop
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this work references cited by second hop

References

  • 1987Segmented Work, Divided Workers: The Historical Transformation of Labor in the United States765 cited
  • 1987Prisoners of the American Dream: Politics and Economy in the History of the US Working Class331 cited
  • 1985The Fatal Environment: The Myth of the Frontier in the Age of Industrialization, 1800-1890327 cited

Cited by

  • 1997The White Man’s Muscles56 cited
  • 1992The Preacherly Text: African American Poetry and Vernacular Performance42 cited
  • 1997Mezz Mezzrow and the Voluntary Negro Blues24 cited
  • 1997Queer Play: The Cultural Work of Crossdressing in Medieval Drama23 cited
  • 1997Fists of Fury20 cited
  • 2017The white man’s muscles17 cited
  • 1997Men in Color15 cited
  • 1994"Looking About Me With All My Eyes": Censored Viewing, Carnival, and Louisa May Alcott's Hospital Sketches11 cited
  • 2012Respectable Vamp: A Black Feminist Analysis of Florence Mills’ Career in Early Vaudeville Theater8 cited

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