Bicycle Thieves: A Re-reading

Frank P. Tomasulo

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Cinema History and Criticism Cinema and Media Studies Italian Fascism and Post-war Society

Abstract

This article investigates the mixed ideology of Vittorio DeSica's classic neorealist film, BICYCLE THIEVES (1948) from a cinematic and political perspective.

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1973Ideology and Aesthetic Hypotheses in the Criticism of Neo-Realism

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