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An Historical Basis for Interpreting Styles of Late 18th- to Late 20th-Century Pictorial Artworks
5 references·2 citing·21 second hop
An Historical Basis for Interpreting Styles of Late 18th- to Late 20th-Century Pictorial Artworks (1979)An Historical Basis for Interpreting Styl…Modern perspectives in Western art history;: An anthology of 20th-century writings on the visual arts (1971)Modern perspectives in Wester…The Shape of Time: Remarks on the History of Things (1964)The Shape of Time: Remarks on…Cubism and Twentieth Century Art (1961)Cubism and Twentieth Century …Mannerism and Anti-Mannerism in Italian Painting (1959)Mannerism and Anti-Mannerism …Principles of Art History (1932)Principles of Art HistoryOn My Concept of Perceptual Perspective That Accounts for Parallel and Inverted Perspective in Pictorial Art (1983)On My Concept of Perceptual P…Definitions and Values of Archaism and the Archaic Style (1981)Definitions and Values of Arc…Mathematical Analysis of Binocular Vision (1950)Inverted Perspective in Art: Display and Expression (1972)Perceptual Perspective and Cezanne's Landscapes (1982)Primitivism in Modern Painting (1938)Arrest and Movement. An Essay on Space and Time in the Representational Art of the Ancient Near East (1952)The Art and Architecture of the Ancient Orient (1956)Millennium on the Northern Marches: The Mad Messiah of Durango and Popular Rebellion in Mexico, 1800–1815 (1986)A Structure of Discipline Concepts for DBAE (1987)African Visual Arts from an Art Historical Perspective (1989)The Mannerist Element in English Literature (1966)The Changeling: Notes on Mannerism in Dramatic Form (1975)Reading Patriot Art: James Barry's King Lear (2003)Concept as Vision: On the Problem of Representation in Modern Art and in Modern Philosophy (1975)Violon. Céret by Pablo Picasso: The case of a lost painting. A methodological approach (2018)Virginia Woolf's Mrs. Dalloway: Invisible Presences (2018)Personality correlates of esthetic judgment in college students1 (1965)Rebels with a Cause: Formation, Contestation, and Expansion of the De Novo Category “Modern Architecture,” 1870–1975 (2011)Aesthetics as Philosophy of Perception (2016)Experiment, difference, and writing: I. Tracing protein synthesis (1992)Culture and History at Pompey's Museum (1999)Ethnographies of Austerity: Temporality, Crisis and Affect in Southern Europe (2016)
this work references cited by second hop

References

  • 1932Principles of Art History204 cited
  • 1964The Shape of Time: Remarks on the History of Things190 cited
  • 1959Mannerism and Anti-Mannerism in Italian Painting71 cited
  • 1961Cubism and Twentieth Century Art28 cited
  • 1971Modern perspectives in Western art history;: An anthology of 20th-century writings on the visual arts24 cited

Cited by

  • 1981Definitions and Values of Archaism and the Archaic Style8 cited
  • 1983On My Concept of Perceptual Perspective That Accounts for Parallel and Inverted Perspective in Pictorial Art6 cited

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