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Paint on the Parthenon Sculptures: Part Two—Scientific Aspects
6 references·3 citing·31 second hop
Paint on the Parthenon Sculptures: Part Two—Scientific Aspects (1988)Paint on the Parthenon Sculptures: Part T…A biographical dictionary of British architects, 1600-1840 (2008)A biographical dictionary of …The Past Is a Foreign Country (1986)The Past Is a Foreign CountryStudies in ancient technology (1972)Studies in ancient technologyStudies in Ancient Technology (1966)Studies in Ancient TechnologyManuel d'architecture grecque (1965)Manuel d'architecture grecqueThe antiqvities of Athens (1762)The antiqvities of AthensArchitectural Polychromy on the Athenian Acropolis: An In Situ Non-Invasive Analytical Investigation of the Colour Remains (2022)Architectural Polychromy on t…Polychromy on the Antonine Wall Distance Sculptures: Non-destructive Identification of Pigments on Roman Reliefs (2020)Polychromy on the Antonine Wa…Historic Mineral Pigments: Colorful Benchmarks of Ancient Civilizations (2015)Historic Mineral Pigments: Co…Science and Civilisation in China (1963)Basic Color Terms: Their Universality and Evolution. (1971)Basic color terms: their universality and evolution. By Brent Berlin and Paul Kay. Berkeley & Los Angeles: University of California Press, 1969. Pp. xi, 178. $8.50. (1973)Maya Blue Pigments Derived From Clay Minerals (2019)A review of radiometric dating and pigment characterizations of rock art in Indonesia (2021)Acquisition of High Spectral Resolution Diffuse Reflectance Image Cubes (350–2500 nm) from Archaeological Wall Paintings and Other Immovable Heritage Using a Field-Deployable Spatial Scanning Reflectance Spectrometry Hyperspectral System (2022)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Materiality (2005)Materials against materiality (2007)Polychromy in Ancient Greek Sculpture: New Scientific Research on an Attic Funerary Stele at the Metropolitan Museum of Art (2023)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Raman spectroscopy of the basic copper chloride minerals atacamite and paratacamite: implications for the study of copper, brass and bronze objects of archaeological significance (2002)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Context, Image and Function: a Preliminary Enquiry into the Architecture of Scientific Societies (1986)Symbolic capital: the London and Westminster Bank headquarters, 1836–38 (1996)Radical Spaces: Venues of popular politics in London, 1790–c. 1845 (2010)Entrepreneurship: Productive, unproductive, and destructive (1996)The Etymologies of Isidore of Seville (2006)Natron glass production and supply in the late antique and early medieval Near East: The effect of the Byzantine-Islamic transition (2016)Affirming authenticity (1999)Literary places, tourism and the heritage experience (2001)Shades of dark tourism (2003)Society and Economy (1992)The Athenian revolution (1992)The Cambridge Ancient History (1992)The earliest Greek settlements on the Black Sea (1976)Monarchies and monarchic Ideas (1984)The Cambridge Ancient History (1994)Classical Marbles: A Recent Bibliography (1971)The Stones of Athens (1974)Tools and Techniques of the Roman Stonemason in Britain (1976)
this work references cited by second hop

References

  • 1966Studies in Ancient Technology404 cited
  • 1972Studies in ancient technology276 cited
  • 2008A biographical dictionary of British architects, 1600-1840228 cited
  • 1986The Past Is a Foreign Country165 cited
  • 1762The antiqvities of Athens77 cited
  • 1965Manuel d'architecture grecque51 cited

Cited by

  • 2015Historic Mineral Pigments: Colorful Benchmarks of Ancient Civilizations25 cited
  • 2020Polychromy on the Antonine Wall Distance Sculptures: Non-destructive Identification of Pigments on Roman Reliefs21 cited
  • 2022Architectural Polychromy on the Athenian Acropolis: An In Situ Non-Invasive Analytical Investigation of the Colour Remains11 cited

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