SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Interpreting Electronic Sound Technology in the Contemporary Javanese Soundscape
12 references·11 citing·32 second hop
Interpreting Electronic Sound Technology in the Contemporary Javanese Soundscape (1996)Interpreting Electronic Sound Technology …Gamelan: cultural interaction and musical development in central Java (1996)Gamelan: cultural interaction…Cassette Culture: Popular Music and Technology in North India (1995)Cassette Culture: Popular Mus…Running with the devil: power, gender, and madness in heavy metal music (1993)Running with the devil: power…Juju: A Social History and Ethnography of an African Popular Music (1991)Juju: A Social History and Et…Noise, the Political Economy of Music (1989)Noise, the Political Economy …Solo in the New Order: Language and Hierarchy in an Indonesian City (1988)Solo in the New Order: Langua…Javanese Shadow Plays, Javanese Selves (1988)Javanese Shadow Plays, Javane…Big Sounds from Small People: The Music Industry in Small Countries (1984)Big Sounds from Small People:…The Tuning of the World (1983)The Tuning of the WorldThe Record Industry Comes to the Orient (1981)The Record Industry Comes to …Art in Indonesia : Continuities and Change. (1968)Art in Indonesia : Continuiti…The Religion of Java (1960)The Religion of JavaSonic Histories in a Southeast Asian Context (2014)Sonic Histories in a Southeas…Musical Worlds of Yogyakarta (2012)Musical Worlds of YogyakartaMusical Worlds in Yogyakarta (2012)Musical Worlds in YogyakartaMusical worlds in Yogyakarta (2012)Musical worlds in YogyakartaSoundscapes: Toward a Sounded Anthropology (2010)Soundscapes: Toward a Sounded…The Recording Studio as Fetish (2003)The Recording Studio as FetishThe sounds ofMyūjikku.An exploration of concepts and classifications in Japanese Sound Aesthetics (1999)The sounds ofMyūjikku.An expl…Sound Engineering in a Tamil Village: Playing Audio Cassettes as Devotional Performance (1999)Sound Engineering in a Tamil …His Master's Voice? ExploringQawwaliand ‘Gramophone Culture’ in South Asia (1999)His Master's Voice? Exploring…Adopting imports: new images and alliances in Brazilian popular music of the 1990s (1999)Adopting imports: new images …Music media in the Eastern Balkans: Privatised, deregulated, and neo‐traditional (1997)Music media in the Eastern Ba…Writing Culture (1986)We have never been modern (1994)We Have Never Been Modern (1994)The Reorganization of the Sensory World (2010)Music, Language, and Texts: Sound and Semiotic Ethnography (2012)Sound Studies Meets Deaf Studies (2012)Music in Everyday Life (2000)Authenticity as authentication (2002)Classification as Culture: Types and Trajectories of Music Genres (2008)The folk psychology of souls (2006)Schooling Islam: The Culture and Politics of Modern Muslim Education (2007)An Anthropology of Ethics (2011)Anthropology and Mass Media (1993)The Production of Culture Perspective (2004)The Anthropology of Texts, Persons and Publics (2007)Economic Exchange and Social Interaction in Southeast Asia. Perspectives from Prehistory, History, and Ethnography (1979)Culture and Customs of Indonesia (2006)The Austronesians : Historical and Comparative Perspectives (2006)Analysing popular music: theory, method and practice (1982)Pygmy POP. A Genealogy of Schizophonic Mimesis (1996)Senses of place: architectural design for the multisensory mind (2020)Club cultures: music, media and subcultural capital (1996)A Sweet Lullaby for World Music (2000)Classification in Art (1987)Doing Research in Cultural Studies (2003)From Cultural Exchange to Transculturation: A Review and Reconceptualization of Cultural Appropriation (2006)Constructing an Indian Ethnosociology (1989)Bewitching Women, Pious Men (1995)Javanese Women and the Veil in Post-Soeharto Indonesia (2007)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)Dub: soundscapes and shattered songs in Jamaican reggae (2007)Intonations: a social history of music and nation in Luanda, Angola, from 1945 to recent times (2009)
this work references cited by second hop

References

  • 1993Running with the devil: power, gender, and madness in heavy metal music942 cited
  • 1960The Religion of Java797 cited
  • 1989Noise, the Political Economy of Music710 cited
  • 1983The Tuning of the World706 cited
  • 1988Javanese Shadow Plays, Javanese Selves230 cited
  • 1995Cassette Culture: Popular Music and Technology in North India209 cited
  • 1968Art in Indonesia : Continuities and Change.208 cited
  • 1991Juju: A Social History and Ethnography of an African Popular Music197 cited
  • 1984Big Sounds from Small People: The Music Industry in Small Countries177 cited
  • 1988Solo in the New Order: Language and Hierarchy in an Indonesian City147 cited
  • 1981The Record Industry Comes to the Orient136 cited
  • 1996Gamelan: cultural interaction and musical development in central Java100 cited

Cited by

  • 2010Soundscapes: Toward a Sounded Anthropology374 cited
  • 1999Sound Engineering in a Tamil Village: Playing Audio Cassettes as Devotional Performance37 cited
  • 1999His Master's Voice? ExploringQawwaliand ‘Gramophone Culture’ in South Asia21 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

1999
Adopting imports: new images and alliances in Brazilian popular music of the 1990s
19 cited
  • 1999The sounds ofMyūjikku.An exploration of concepts and classifications in Japanese Sound Aesthetics15 cited
  • 2012Musical worlds in Yogyakarta14 cited
  • 2012Musical Worlds of Yogyakarta9 cited
  • 1997Music media in the Eastern Balkans: Privatised, deregulated, and neo‐traditional7 cited
  • 2014Sonic Histories in a Southeast Asian Context5 cited
  • 2012Musical Worlds in Yogyakarta4 cited
  • 2003The Recording Studio as Fetish3 cited