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I would like to look at the attributes of a paradigm for art, a field theory which would replace the formalist modernist aesthetic. It takes as its focus not form but behavior; not an information model of the sending/receiving of messages in a one-way linearity but the interrogation of probabilities by the viewer; it looks at a system in which the artwork is a matrix between two sets of behaviors (the artist and the observer) providing for a field of psychic interplay which can be generative of multiple meanings, where the final responsibility for meaning lies with the viewer.
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