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Smoke, Mirrors and Prisms: Tonal Contradiction in Faure
1 references·2 citing·12 second hop
Smoke, Mirrors and Prisms: Tonal Contradiction in Faure (1993)Smoke, Mirrors and Prisms: Tonal Contradi…Pitch-Class Set Genera and the Origin of Modern Harmonic Species (1988)Pitch-Class Set Genera and th…A Voicing-Based Model for Additive Harmony (2017)A Voicing-Based Model for Add…The Emergence of Gabriel Faure's Late Musical Style and Technique (2003)The Emergence of Gabriel Faur…Classic Music: Expression, Form, and Style (1981)Gabriel Fauré: A Musical Life (1991)Strange dimensions: regularity and irregularity in deep levels of rhythmic reduction (1999)The ‘Problem’ of Schubert's String Quintet (2005)Health, Ageing, Authenticity and Art (2020)Structural Hearing; Tonal Coherence in Music (1953)The Oxford history of western music (2004)Music in the Galant Style (2007)Adventures in Tonal Gravity: George Russell’s Analysis of Maurice Ravel’s “Forlane” (2023)Debussy's Late Style and the Devices of the Early Silent Cinema (2001)Combinatorial Space in Nineteenth- and Early Twentieth-Century Music Theory (2003)Dual Interval Space in Twentieth-Century Music (2003)
this work references cited by second hop

References

  • 1988Pitch-Class Set Genera and the Origin of Modern Harmonic Species49 cited

Cited by

  • 2003The Emergence of Gabriel Faure's Late Musical Style and Technique7 cited
  • 2017A Voicing-Based Model for Additive Harmony5 cited

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