The nature and degree of George Eliot's commitment to a deterministic world view have been the source of considerable difficulty in the criticism of her work. Critics who concern themselves with the subject take, for the most part, the view either that her belief in determinism seriously marred her art or, on the other hand, that despite appearances she was not a consistent determinist. In both cases, however, determinism evokes extraordinary intensity of feeling, almost everyone agreeing that a commitment to it tends to be detrimental to the artist because it forces a distortion of the facts of existence (or at least a depressing interpretation of them) and leads to an underestimation of man's capacity for action and of his potential dignity.
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