SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Essence of Singing and the Substance of Song. Recent Responses to the Aboriginal Performing Arts and Other Essays in Honour of Catherine Ellis
0 references·5 citing·22 second hop
The Essence of Singing and the Substance of Song. Recent Responses to the Aboriginal Performing Arts and Other Essays in Honour of Catherine Ellis (1996)The Essence of Singing and the Substance …A musicologist’s wishlist: some issues, practices and practicalities in musical aspects of language documentation (2022)A musicologist’s wishlist: so…Sound Exchanges: An ethnomusicologist's approach to interdisciplinary teaching and learning in collaboration with a remote Indigenous Australian community (2011)Sound Exchanges: An ethnomusi…The Language of Song: Some Recent Approaches in Description and Analysis (2010)The Language of Song: Some Re…Shifting Landscapes: Musical Mediations of Modernity in the Malaysian Rainforest (2000)Shifting Landscapes: Musical …Le rythme kanak (1997)Le rythme kanakSongs of Central Australia (1971)Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology (1998)The Languages of Australia (2011)Sustaining Women'sYawulyu/Awelye: Some Practitioners' and Learners' Perspectives (2013)Closing statement : Linguistics and poetics (1960)Relevance: Communication and Cognition (1986)Explorations in the Ethnography of Speaking (1989)Love is all around: a corpus-based study of pop lyrics (2012)Agent of bicultural balance: ganma, Yothu Yindi and the legacy of Mandawuy Yunupiŋu (2014)Lyrics and language awareness (2020)Yothu Yindi and Ganma: The cultural transposition of aboriginal agenda through metaphor and music (1993)Knowledge and Secrecy in an Aboriginal Religion (1994)Matjabala Mali’ Buku-Ruŋanmaram: implications for archives and access in Arnhem Land (2009)Sustaining Australia's Indigenous Music and Dance Traditions: The Role of the National Recording Project for Indigenous Performance in Australia (2013)Ethnomusicology in Australia and New Zealand: A Trans‑Tasman Identity? (2017)Teaching ethnomusicology in times of trouble: a perspective from Johannesburg, South Africa (2021)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Através do "Mbaraka': música e xamanismo guarani. (2002)Engagement through Alienation: Parallels of Paradox in World Music and Tourism in Sarawak, Malaysia (2006)‘Blowing 'cross the crest of Mount Galeng’: winds of the voice, winds of the spirits (2007)The Location of Culture (2012)The Interpretation of Cultures (2017)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2010The Language of Song: Some Recent Approaches in Description and Analysis18 cited
  • 2022A musicologist’s wishlist: some issues, practices and practicalities in musical aspects of language documentation9 cited
  • 2011Sound Exchanges: An ethnomusicologist's approach to interdisciplinary teaching and learning in collaboration with a remote Indigenous Australian community9 cited
  • 2000Shifting Landscapes: Musical Mediations of Modernity in the Malaysian Rainforest9 cited
  • 1997Le rythme kanak5 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work