Individuality and Political Discourse in Solo "Dizi" Compositions

Frederick Lau

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Musicology and Musical Analysis Music History and Culture Diverse Musicological Studies

Abstract

Les compositeurs de « dizi » (musique soliste de flute traversiere chinoise) ont su utiliser de maniere creative divers materiaux dans leur composition musicale malgre un pouvoir communiste definissant une politique culturelle etroite. Ces contraintes ont ete interpretees et appropriees a travers les annees (1949-1964, 1965-1978, et 1979-1989) et sont devenues un centre de ressources legitimant les revendications des musiciens. La musique « dizi » est classee en trois categories : le repertoire traditionnel (« chuantong qumu »), le repertoire compose ( « chuangzo qumu ») et le repertoire importe (« waili qumu »)

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20005. The Practice of Everyday Life 2007Outline of a Theory of Practice 1980Central Problems in Social Theory: Action, Structure and Contradiction in Social Analysis.1984Theory in Anthropology since the Sixties 1990The search for modern China 1981Historical Metaphors and Mythical Realities: Structure in the Early History of the Sandwich Islands Kingdom 1970Ideology and Organization in Communist China 1992Comparative musicology and anthropology of music: essays on the history of ethnomusicology

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