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Animals as theatrical performers before the Restoration have received scanty attention from commentators on English drama. The entertaining quality of performing animals off the stage during the early periods of the drama is well known. Bearwards, ape-leaders, and owners of trick horses and dogs roamed early Tudor and Elizabethan England. Along with minstrels, jugglers, mountebanks, and acrobats they contended with stage-players for popular favor. The Elizabethan love for bear-baiting has been so frequently discussed that it needs no reiteration. The dual use of Henslowe's Hope Theatre for animal shows and regular plays is an indication of the importance of this type of spectacle. Professor Strunk and Dr. Graves have shown that highly trained apes were often employed as entertainers in Elizabethan England; and, as the latter points out, even the histrionic talents of the lowly ass were not neglected.
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