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The Changing Composer-Performer Relationship: A Monologue and a Dialogue
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The Changing Composer-Performer Relationship: A Monologue and a Dialogue (1963)The Changing Composer-Performer Relations…Vocal performance in the seventeenth century (2012)Vocal performance in the seve…Vocal performance in the Renaissance (2012)Vocal performance in the Rena…Vocal performance in the nineteenth century (2012)Vocal performance in the nine…The teaching of performance (2012)The teaching of performanceThe performer and the composer (2012)The performer and the composerThe Cambridge History of Musical Performance (2012)The Cambridge History of Musi…Performance in the Renaissance: an overview (2012)Performance in the Renaissanc…Performance in the ‘long eighteenth century’: an overview (2012)Performance in the ‘long eigh…Instrumental performance in the twentieth century and beyond (2012)Instrumental performance in t…Instrumental performance in the nineteenth century (2012)Instrumental performance in t…« Make-Believe Ballroom Times » : de l’influence du DJing sur les modes d’interprétation et de composition des musiques populaires anglo-américaines (2012)« Make-Believe Ballroom Times…Imaging Music: Abstract Expressionism and Free Improvisation (2001)Imaging Music: Abstract Expre…Fighting with Words: American Composers' Commentary on Their Work (1985)Fighting with Words: American…The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)International Encyclopedia of the Social Sciences. (1968)The Interpretation of Cultures (1974)The Marketing of Tradition: The Value of Culture in American Life (1987)The Interpretation of Cultures (2017)Afro-Electric Counterpoint (2019)That’s All It Does (2019)THE HIDDEN ORDER OF ART (1961)Improvisation: Its Nature And Practice In Music (1980)The Oxford Companion to Wine (2006)Language Literacy and Music Literacy: A Pedagogical Asymmetry (2010)Free Improvisation (2013)Improvisation in the Arts (2015)Frank O'Hara's Virtuosity (2017)The creative work of large ensembles (2017)Shared musical creativity: teaching composer-performer collaboration (2020)Reimagine to Revitalise (2021)The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 (2022)Untimely Developments (2022)Music in the Early Colonial World (2019)
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Cited by

  • 2012Vocal performance in the seventeenth century56 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2001Imaging Music: Abstract Expressionism and Free Improvisation41 cited
  • 1985Fighting with Words: American Composers' Commentary on Their Work23 cited
  • 2012The performer and the composer10 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 2012« Make-Believe Ballroom Times » : de l’influence du DJing sur les modes d’interprétation et de composition des musiques populaires anglo-américaines2 cited
  • 2012The teaching of performance2 cited
  • 2012Performance in the Renaissance: an overview2 cited

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