Three lines of performance-centered analysis may be distingushed in current folkloric and anthropological thought, focusing respectively on performance as practice, the analysis of cultural performances, and the poetics of performance. Employing the third of these as a frame of reference, I analyze the interrelationships between artistic verbal performance and the pursuit of honor in 13th-century Iceland, demonstrating that they constituted a unified semiotic system and suggesting some comparative implications of thesefindings.
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