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It was in reference to this claim that I was once asked by the author of Musik des Orients (1929), Dr. Robert Lachmann, now the director of the Department of Extra European Music at the University of Jerusalem, whether I had actual evidence in regard to frets on the Arabian and Persian lute in the Middle Ages. He asked the question because a German writer, Karl Geiringer, had searched Arabic and Persian manuscripts which gave delineations of the lute without finding a solitary example which revealed the presence of frets on the instrument.
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