Article1989

The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema

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Cinema History and Criticism Gender and Feminist Studies Psychoanalysis and Social Critique

Abstract

Acknowledgements Preface [1] Lost Objects and Mistaken Subjects: A Prologue [2] Body Talk [3] The Fantasy of the Maternal Voice: Paranoia and Compensation [4] The Fantasy of the Maternal Voice: Female Subjectivity and the Negative Oedipus Complex [5] Disembodying the Female Voice: Irigaray, Experimental Feminist Cinema, and Femininity [6] The Female Authorial Voice Notes Index

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1994Audio-vision: sound on screen 1994Critical pedagogy and predatory culture 2014Anthropology and Voice 2003The Listening Subject of Japanese Modernity and His Auditory Double: Citing, Sighting, and Siting the Modern Japanese Woman 2005Villains, Victims and Heroes: Melodrama, Media, and September 11 2006Bourdieu's Disavowal of Lacan: Psychoanalytic Theory and the Concepts of “Habitus” and “Symbolic Capital”1988Schooling the Postmodern Body: Critical Pedagogy and the Politics of Enfleshment 1991Gender and culture of empire: Toward a feminist ethnography of the cinema

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