The “Mirror” inLas Meninas

Abstract

oration, if not the whole production, of the manuscript. An even more fascinating, but correspondingly more complex, problem concerns the kind of relationship that might have existed between the St. Andrew Master, an artist who worked in both the MorganMacon Golden Legend and the Chroniques de Hainaut, and the Guillaume Wyelant who was paid for illuminating the Chroniques, Volume II (Brussels, Bibliotheque Royale, Ms 9243), as well as the Willem Vrelant whose name was frequently mentioned in records of the Bruges miniaturists' guild. University of Maryland College Park, MD 20742

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 6 citations exist upstream.