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Complex Multiplication, Structure, and Process: Harmony and Form in Boulez's Structures II
9 references·5 citing·32 second hop
Complex Multiplication, Structure, and Process: Harmony and Form in Boulez's Structures II (2014)Complex Multiplication, Structure, and Pr…Isography and structure in the music of Boulez (2008)Isography and structure in th…Moments doubles, figurés en prisme (2006)Moments doubles, figurés en p…On the Nature of Enlargement (2001)On the Nature of EnlargementPitch-Class Set Multiplication in Theory and Practice (1998)Pitch-Class Set Multiplicatio…«Assez lent, suspendu, comme imprévisible » : quelques aperçus sur les travaux d'approche d'Éclat (1993)«Assez lent, suspendu, comme …Cognitive constraints on compositional systems (1992)Cognitive constraints on comp…Inversional Symmetry and Transpositional Combination in Bartok (1988)Inversional Symmetry and Tran…Transformational Techniques in Atonal and Other Music Theories (1982)Transformational Techniques i…Some Intervallic Aspects of Pitch-Class Set Relations (1981)Some Intervallic Aspects of P…Xenakis’ Sieve Theory (2022)Xenakis’ Sieve TheoryMiddleground Structure in the Cadenza to Boulez’s Éclat (2019)Middleground Structure in the…Boulez's Künstlerroman: Using blocs sonores to Overcome Anxieties and Influence in Le marteau sans maître (2018)Boulez's Künstlerroman: Using…Between Freedom and Control (2017)Between Freedom and ControlStatistical Form amongst the D armstadt School (2014)Statistical Form amongst the …Cybernetics, or control and communication in the animal and the machine (2nd ed.). (1961)How We Became Posthuman (1999)New Music, New AlliesAmerican Experimental Music in West Germany from the Zero Hour to Reunification (2006)Twentieth-Century Harmony: Creative Aspects and Practice (1961)Forte's "Interval Vector, My Interval Function", and Regener's "Common-Note Function" (1977)A Theory of Harmony and Voice Leading for the Music of Olivier Messiaen (2005)Fretboard Transformations (2018)Steve Reich’s Signature Rhythm and an Introduction to Rhythmic Qualities (2020)Technique de mon langage musical (1944)Concepts of Harmony and Prolongation in Schoenberg's Op. 19/2 (1999)Reexamining PC-Set Multiplication, Complex Multiplication, and Transpositional Combination to Determine Their Formal and Functional Equivalence (2014)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1956)ASPECTS OF THE THEORY OF SYNTAX (1964)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1994)Epistemologies of music theory (2002)Moving Beyond Motion: Metaphors for Changing Sound (2003)The possibility of impossible cultures (2009)Pierre Boulez: a world of harmony (1991)Teasing the Ever-Expanding Sonnet from Pierre Boulez’s Musical Poetics (2019)More than Meets the Eye: Derivations and Stratification in Boulez's ‘Don’ (1962) (2020)Schenker's "Motivic Parallelisms" (1978)The Problem of Prolongation in Post-Tonal Music (1987)Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics (2005)Having the Last Word: Schoenberg and the Ultimate Cadenza (2012)The State of Research in Twelve-Tone and Atonal Theory (1989)Review of “Tone Rows and Tropes” by Harald Fripertinger and Peter Lackner (2015)A Voicing-Based Model for Additive Harmony (2017)Extraordinary Measures (2011)The Oxford Handbook of Neo-Riemannian Music Theories (2011)Broken Beauty (2018)« A garland on Pierre Boulez ». Quelques considérations sur Pour le Dr. Kalmus (1969/2005) (2015)The Musical Language of Pierre Boulez (2013)
this work references cited by second hop

References

  • 1992Cognitive constraints on compositional systems165 cited
  • 1982Transformational Techniques in Atonal and Other Music Theories105 cited
  • 1998Pitch-Class Set Multiplication in Theory and Practice45 cited
  • 1988Inversional Symmetry and Transpositional Combination in Bartok38 cited
  • 2008Isography and structure in the music of Boulez29 cited
  • 2006Moments doubles, figurés en prisme25 cited
  • 1981Some Intervallic Aspects of Pitch-Class Set Relations20 cited
  • 2001On the Nature of Enlargement18 cited
  • 1993«Assez lent, suspendu, comme imprévisible » : quelques aperçus sur les travaux d'approche d'Éclat17 cited

Cited by

  • 2014Statistical Form amongst the D armstadt School9 cited
  • 2017Between Freedom and Control6 cited
  • 2018Boulez's Künstlerroman: Using blocs sonores to Overcome Anxieties and Influence in Le marteau sans maître5 cited
  • 2022Xenakis’ Sieve Theory3 cited
  • 2019Middleground Structure in the Cadenza to Boulez’s Éclat3 cited

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