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"Playhouse Flesh and Blood": Sexual Ideology and the Restoration Actress
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Cited by

  • 2002Gender, theatre, and the origins of criticism from Dryden to Manley40 cited
  • 2013The Rival Sirens29 cited
  • 2008Women and Shakespeare in the Restoration and Eighteenth Century29 cited
  • 2013"Look on Me": Theater, Gender, and Poetic Identity Formation in Milton's Maske19 cited
  • 1985Building a Scene: The Text and Its Representation in The Atheist’s Tragedy14 cited
  • 2012Women in breeches and modes of masculinity in Restoration comedy9 cited
  • 2000Verse Epistles on Italian Opera Singers, 1724–17369 cited
  • 2000Masks and Faces: Female Legibility in the Restoration Era8 cited
  • 2014The rival sirens: performance and identity on Handel's operatic stage7 cited
  • 2001The Restoration Actress6 cited
  • 2014Early Modern Audiences and the Pleasures of Cross-Dressed Characters2 cited
  • 2007Gender and (Im)morality in Restoration Comedy: Aphra Behn's The Feigned Courtesans2 cited

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