A Musical and Sociological Review of Scott Joplin's "Treemonisha"

Abstract

In the late 1960s, when an interest in black music was being encouraged in new circles, we had a long path to travel in our efforts to understand the essential details and approaches needed to develop a secure perspective about the subject we were urging for consideration. What has taken place since that time is remarkable. I wonder if any area of music history has ever been explored as intensely as this within a period of little more than a decade.

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