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Coping with Christian Pictorial Sources: What Did Jewish Miniaturists Not Paint?
0 references·7 citing·22 second hop
Coping with Christian Pictorial Sources: What Did Jewish Miniaturists Not Paint? (2000)Coping with Christian Pictorial Sources: …What Did Medieval Slavery Look Like? Color, Race, and Unfreedom in Later Medieval Iberia (2022)What Did Medieval Slavery Loo…Isaac's Sacrifice: Operation of Word and Image in Ashkenazi Religious Ceremonies (2020)Isaac's Sacrifice: Operation …Uncovering the Oppenheimer Siddur: using scientific analysis to reveal the production process of a medieval illuminated Hebrew manuscript (2018)Uncovering the Oppenheimer Si…Mirroring Samson the Martyr: Reflections of Jewish-Christian Relations in the North French Hebrew Illuminated Miscellany (2015)Mirroring Samson the Martyr: …The Virgin Mary, Miriam, and Jewish Reactions to Marian Devotion in the High Middle Ages (2013)The Virgin Mary, Miriam, and …Reframing the Bible: Genesis and Exodus on Toledo Cathedral's Fourteenth-Century Choir Screen (2011)Reframing the Bible: Genesis …Jewish art and non-Jewish culture: The dynamics of artistic borrowing in medieval Hebrew manuscript illumination (2001)Jewish art and non-Jewish cul…Greek Religion: Archaic and Classical (1984)Gentile Tales: The Narrative Assault on Late-Medieval Jews (1999)Mother of God: a history of the Virgin Mary (2009)Domestic Devotions in the Early Modern World (2018)Reallexikon zur deutschen Kunstgeschichte (1954)The Conversion of Jews to Christianity in Thirteenth-Century England (1992)Mass Conversion and Genealogical Mentalities: Jews and Christians in Fifteenth-Century Spain (2002)The French Monarchy and the Jews (1989)Gérard Genette Paratexts (1997)Paratexts: Thresholds of Interpretation (1997)A History of Illuminated Manuscripts (1987)Hebrew manuscripts of the Middle Ages (2002)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Hebrew Illuminated Manuscripts (1969)The Frescoes of the Dura Synagogue and Christian Art. By Kurt Weitzmann and Herbert L. Kessler. (1991)Medieval Illuminators and Their Methods of Work. (1994)The last trial : on the legends and lore of the command to Abraham to offer Isaac as a sacrifice: The Akedah. (1993)The Exultet in Southern Italy (1996)Jews Among Christians: Hebrew Book Illumination from Lake Constance (2010)Playing in the Dark: Whiteness and the Literary Imagination. (1993)The Iberian Roots of American Racist Thought (1997)The Invention of Racism in Classical Antiquity (2013)
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Cited by

  • 2022What Did Medieval Slavery Look Like? Color, Race, and Unfreedom in Later Medieval Iberia13 cited
  • 2013The Virgin Mary, Miriam, and Jewish Reactions to Marian Devotion in the High Middle Ages12 cited
  • 2018Uncovering the Oppenheimer Siddur: using scientific analysis to reveal the production process of a medieval illuminated Hebrew manuscript12 cited
  • 2015Mirroring Samson the Martyr: Reflections of Jewish-Christian Relations in the North French Hebrew Illuminated Miscellany7 cited
  • 2001Jewish art and non-Jewish culture: The dynamics of artistic borrowing in medieval Hebrew manuscript illumination6 cited
  • 2011Reframing the Bible: Genesis and Exodus on Toledo Cathedral's Fourteenth-Century Choir Screen3 cited
  • 2020Isaac's Sacrifice: Operation of Word and Image in Ashkenazi Religious Ceremonies3 cited

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