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The influence of Count Volney's Les Ruines upon Queen Mab has long been known to Shelley scholars, but it has apparently been assumed that Shelley's interest in the work ceased shortly afterwards. Such, however, was not the case. The Ruins had made so deep an impression upon Shelley that he derived from it much of the central pattern of The Revolt of Islam, some four years later than Mab, and echoes of it are to be found in Prometheus Unbound, some six years later. In fact, Shelley's debt to the work in The Revolt of Islam is of so extensive a nature that it is clear he must have reread it shortly before, or even during, the composition of that poem. It is the purpose of this paper to indicate the nature of this debt.
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