The Production and Distribution of Classic Mimbres Black-on-White Pottery

Abstract

Because the most abundant and finest quality Classic Mimbres Black-on-white ceramics are associated with large pueblos located in the Mimbres Valley, archaeologists have subscribed to a center-periphery model of exchange to explain the occurrence of these ceramics outside of the “heartland.” Recent instrumental neutron-activation analysis based on 117 samples from six sites and supported by petrographic analyses demonstrates that separable production groups can be distinguished outside of, as well as within, the valley proper. Widely distributed production locales do not support a model of centralized control over production and distribution. The analyses thus raise questions about the purposes of such visually distinct pottery and the nature of its exchange.

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 40 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.