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Latvian Ethnomusicology: Past and Present
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Latvian Ethnomusicology: Past and Present (1994)Latvian Ethnomusicology: Past and PresentZafè Fatra(The Affair of Trash) and the Affair of Scholarly Engagement (2021)Zafè Fatra(The Affair of Tras…Transforming Ethnomusicology Volume I (2021)Transforming Ethnomusicology …Sincerely Outspoken (2021)Sincerely OutspokenEngaged Activist Research (2021)Engaged Activist Research“How Is That Going to Help Anyone?” (2021)“How Is That Going to Help An…Wedding Musicians, Political Transition, and National Consciousness in Bulgaria (1996)Wedding Musicians, Political …The Southern Wind of Change (1996)The Southern Wind of ChangeThe Ilahiya as a Symbol of Bosnian Muslim National Identity (1996)The Ilahiya as a Symbol of Bo…The Dialectic of Economics and Aesthetics in Bulgarian Music (1996)The Dialectic of Economics an…Nationalism on Stage (1996)Nationalism on StageMusic and Marginality (1996)Music and MarginalityLakodalmas Rock and the Rejection of Popular Culture in Post-Socialist Hungary (1996)Lakodalmas Rock and the Rejec…Kundera’s Musical Joke and “Folk” Music in Czechoslovakia, 1948–? (1996)Kundera’s Musical Joke and “F…Dmitri Pokrovsky and the Russian Folk Music Revival Movement (1996)Dmitri Pokrovsky and the Russ…Continuity and Change in Eastern and Central European Traditional Music (1996)Continuity and Change in East…Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Distinction: A Social Critique of the Judgement of Taste. (1985)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Constituted through Conflict: Images of Community (and Nation) in Bulgarian Rural Ritual (2004)Music (as) Labour: Professional Musicianship, Affective Labour and Gender in Socialist Yugoslavia (2015)Environmental Crisis, Culture Loss, and a New Musical Aesthetic: China’s “Original Ecology Folksongs” In Theory and Practice (2016)The Black Atlantic: Modernity and Double Consciousness (1994)Invisible republics and secret histories: A politics of music (2000)Disjuncture and Difference in the Global Cultural Economy (1990)Improvisation and Variation: Post-Communist Bulgaria Challenges National Folklore Tradition (2008)Traditional music and the anatomy of the festival network between Yugoslavian cultural politics and vernacular values (2012)Music Revivals: Towards a General Theory (1999)Distinction: A Social Critique of the Judgement of Taste* (2018)Asylums: Essays on the Social Situation of Mental Patients and Other Inmates. (1962)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)Homo sacer: sovereign power and bare life (1999)The Presentation of Self in Everyday Life. (1956)Dipesh Chakrabarty . Provincializing Europe: Postcolonial Thought and Historical Difference. (Princeton Studies in Culture/Power/History.) Princeton: Princeton University Press. 2000. Pp. xii, 301. Cloth $55.00, paper $16.95 (2001)When politics goes pop: on the intersections of popular and political culture and the case of Serbian student protests (2004)Post-Yugoslavian Ethnomusicologies in Dialogue (2008)Assessing Turbofolk Controversies: Popular Music between the Nation and the Balkans (2012)Managing Musical Diversity Within Frameworks of Western Development AID: Views from Ukraine, Georgia, and Bosnia and Herzegovina (2008)
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Cited by

  • 2021Engaged Activist Research18 cited
  • 2021“How Is That Going to Help Anyone?”18 cited
  • 2021Sincerely Outspoken17 cited
  • 1996Wedding Musicians, Political Transition, and National Consciousness in Bulgaria14 cited
  • 1996Music and Marginality10 cited
  • 1996The Dialectic of Economics and Aesthetics in Bulgarian Music9 cited
  • 1996Nationalism on Stage8 cited
  • 1996Dmitri Pokrovsky and the Russian Folk Music Revival Movement7 cited
  • 1996The Southern Wind of Change7 cited
  • 1996The Ilahiya as a Symbol of Bosnian Muslim National Identity5 cited
  • 2021Zafè Fatra(The Affair of Trash) and the Affair of Scholarly Engagement3 cited
  • 2021Transforming Ethnomusicology Volume I3 cited
  • 1996Continuity and Change in Eastern and Central European Traditional Music3 cited
  • 1996Kundera’s Musical Joke and “Folk” Music in Czechoslovakia, 1948–?3 cited
  • 1996Lakodalmas Rock and the Rejection of Popular Culture in Post-Socialist Hungary2 cited

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