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Ostrannenie. On “Strangeness“ and the Moving Image: The History, Reception, and Relevance of a Concept
16 references·1 citing·30 second hop
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References

  • 1964Understanding Media: The Extensions of Man12,311 cited
  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1977Keywords: A Vocabulary of Culture and Society6,815 cited
  • 1994Difference and repetition6,721 cited
  • 1986Relevance: Communication and Cognition6,707 cited
  • 2007Selections from the Prison Notebooks6,400 cited
  • 1992The Psychological Foundations of Culture3,627 cited
  • 1994Age of extremes :the short twentieth century 1914-19912,628 cited
  • 1985Mind's New Science: A History of Cognitive Revolution2,012 cited
  • 1992Textual poachers : television fans & participatory culture1,999 cited
  • 1990Sources of the Self: The Making of the Modern Identity.1,761 cited
  • 1835Aesthetics: Lectures on Fine Art1,584 cited
  • 1986Narration in the Fiction Film1,483 cited
  • 1913The Interpretation of Dreams.1,325 cited
  • 2002Les techniques du corps1,289 cited
  • 1990The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde1,285 cited

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  • 2012Subjectivity: filmic representation and the spectator's experience6 cited