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The Technique of Attic Vase-Painting
0 references·16 citing·35 second hop
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  • 2004Black Gloss Pottery: Production Sites and Technology in Northern Etruria, Part II: Gloss Technology56 cited
  • 2004The role of Raman microspectroscopy in the study of black gloss coatings on Roman pottery55 cited
  • 1963Coloring Agents for Greek Glazes50 cited
  • 2000Microchemical study of the black gloss on red- and black-figured Attic vases43 cited
  • 2020Ceramic technology: how to characterise black Fe-based glass-ceramic coatings43 cited
  • 2004PIGMENT IDENTIFICATION IN GREEK POTTERY BY RAMAN MICROSPECTROSCOPY*43 cited
  • 1999Technological Features of Roman from Gallic and Italian Centres of Production41 cited
  • 2000X-ray microanalysis discloses the secrets of ancient Greek and Roman potters41 cited
  • 2008Technological features of Apulian red figured pottery41 cited
  • 2014Evidence for an unorthodox firing sequence employed by the Berlin Painter: deciphering ancient ceramic firing conditions through high-resolution material characterization and replication40 cited
  • 2009Use of various spectroscopy techniques to investigate raw materials and define processes in the overpainting of Apulian red figured pottery (4th century BC) from southern Italy37 cited
  • 2014Confocal XANES and the Attic Black Glaze: The Three-Stage Firing Process through Modern Reproduction34 cited
  • 1964Greek Pottery: A Mineralogical Study

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34 cited
  • 2015Investigating the firing protocol of Athenian pottery production: A Raman study of replicate and ancient sherds31 cited
  • 1962Die chemischen Grundlagen der griechischen Vasenmalerei31 cited
  • 2017Reconstructing change in firing technology during the Final Neolithic–Early Bronze Age transition in Phaistos, Crete. Just the tip of the iceberg?29 cited