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Pictorialist Elements in Edward S. Curtis's Photographic Representation of American Indians
0 references·2 citing·9 second hop
Pictorialist Elements in Edward S. Curtis's Photographic Representation of American Indians (1994)Pictorialist Elements in Edward S. Curtis…Working Methods: The Howard D. Beach Photography Studio of Gelatin Dry Plate Negatives (2014)Working Methods: The Howard D…From salons to the native reserve: reformulating the “native question” through pictorial photography in 1950s South Africa (2014)From salons to the native res…Photographs: archival care and management (2007)Working knowledge: employee innovation and the rise of corporate intellectual property, 1800-1930 (2010)From snapshots to social media: the changing picture of domestic photography (2011)Conservation of Broken Dry Plate Negatives from Francis Amin’s Private Collection – A Scientific Assessment of Selected Adhesives (2018)CONSERVATION OF BROKEN DRY PLATE NEGATIVES FROM FRANCIS AMIN’S PRIVATE COLLECTION – A SCIENTIFIC ASSESSMENT OF SELECTED ADHESIVES (2019)A New history of photography (1999)Power, secrecy, proximity: a short history of South African photography (2007)Home Spaces, Street Styles: Contesting Power and Identity in a South African City (2011)A Pariah Among Parvenus: Anne Fischer and the Politics of South Africa's New Realism(s) (2020)
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  • 2014From salons to the native reserve: reformulating the “native question” through pictorial photography in 1950s South Africa4 cited
  • 2014Working Methods: The Howard D. Beach Photography Studio of Gelatin Dry Plate Negatives2 cited

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