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Popular Music since the 1920s: The Significance of Shifting Taste
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Cited by

  • 2008Why Pseudonyms? Deception as Identity Preservation Among Jazz Record Companies, 1920–192985 cited
  • 1972The musical form in rhetorical exchange: Theoretical considerations57 cited
  • 2006Los gallos valientes: Examining Violence in Mexican Popular Music39 cited
  • 1986Commercial Influences in the Lyrics of Popular American Music of the Postwar Era36 cited
  • 2008Rebellion in the Top Music Charts24 cited
  • 1980The content of popular recordings120 cited
  • 1983The role of audio media in the lives of children12 cited
  • 1978The coming crisis in the youth music market∗7 cited
  • 2006The Ed Sullivan Show and the (Censored) Sounds of the Sixties5 cited
  • 2007Before the Beatles: International Influences on American Popular Recordings, 1940–635 cited
  • 2008Bill Finegan's Gershwin Arrangements and the American Concept of Hybridity4 cited
  • 1975The coming crisis in the youth music market∗4 cited

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