SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Playing Bach His Way: Historical Authenticity, Personal Authenticity, and the Performance of Classical Music
0 references·5 citing·23 second hop
Playing Bach His Way: Historical Authenticity, Personal Authenticity, and the Performance of Classical Music (1998)Playing Bach His Way: Historical Authenti…Being True to Works of Music (2020)Being True to Works of MusicHistorically Uninformed Views of Historically Informed Performance (2019)Historically Uninformed Views…Baroque Pianism: Perspectives on Playing Baroque Keyboard Music on the Piano, with Emphasis on Bach’s Fugues in the Well-Tempered Clavier (2019)Baroque Pianism: Perspectives…Authentic performances on musical works (2012)Authentic performances on mus…The End of Early Music (2007)The End of Early MusicAuthenticities: Philosophical Reflections on Musical Performance (1996)Musical works and performances: a philosophical exploration (2002)Themes in the philosophy of music (2003)The Structure of Scientific Revolutions (1963)What Is It Like to Be a Bat? (1974)Orality and Literacy (1982)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)Women and Music in Sixteenth-Century Ferrara (2018)The Aesthetics of Music (1981)The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)Musical Works and Performances (2001)Blurred Lines: Ravasio on “Historically Informed Performance” (2020)A twist on the historically authentic musical performance (2024)Classical music as ethical practice: A professional perspective (2024)Sincerity and Authenticity (1972)Text and act: essays on music and performance (1996)Performing music in the age of recording (2004)Philosophical Investigations. (1954)Stanford Encyclopedia of Philosophy (2016)Everyone Can Change a Musical Work (2021)The Heart of Classical Work-Performance (2021)Singularities (2024)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2007The End of Early Music152 cited
  • 2020Being True to Works of Music44 cited
  • 2019Historically Uninformed Views of Historically Informed Performance9 cited
  • 2012Authentic performances on musical works4 cited
  • 2019Baroque Pianism: Perspectives on Playing Baroque Keyboard Music on the Piano, with Emphasis on Bach’s Fugues in the Well-Tempered Clavier2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work