The Cave of Juliq’ in Alta Verapaz, Guatemala contains an impressive corpus of ancient Maya rock art. Unlike other examples of rock art in this area, the Juliq’ pictographs are simply rendered, generally consisting of lines, handprints, and other basic shapes. We thus focus on context rather than on iconographic content in order to access the meaning of these ancient pictographs. We argue that they were used to record human presence in and movement through the alien cave environment in specific ways, demarcating procession routes, points of transition, moments of physical prowess, and places charged with sacred power. These circuits within Juliq’ reflect attempts to order the Underworld landscape and link it to the surface world through ritual movement akin to aboveground ritual processions.
Stored only when both papers are in the corpus — 2 citations exist upstream.
Imported from OpenAlex (CC0) — nothing here is generated.