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How Popular Music is Exhibited by Museums in Portugal at the Beginning of the Twenty‐First Century: A Case Study
16 references·5 citing·33 second hop
How Popular Music is Exhibited by Museums in Portugal at the Beginning of the Twenty‐First Century: A Case Study (2016)How Popular Music is Exhibited by Museums…Memorylands (2013)MemorylandsThe Ashgate research companion to heritage and identity (2009)The Ashgate research companio…Music as social life: the politics of participation (2009)Music as social life: the pol…Advances in Discourse Studies (2008)Advances in Discourse StudiesThe Invention of “Folk Music” and “Art Music” (2007)The Invention of “Folk Music”…Genre in Popular Music (2007)Genre in Popular MusicThe study of ethnomusicology: thirty-one issues and concepts (2006)The study of ethnomusicology:…Intangible Heritage as Metacultural Production1 (2004)Intangible Heritage as Metacu…The Cultural study of music: a critical introduction (2003)The Cultural study of music: …Discourse and Social Life (2003)Discourse and Social LifeGenres and Registers of Discourse (1997)Genres and Registers of Disco…Double exposures : the subject of cultural analysis (1996)Double exposures : the subjec…Theorizing Heritage (1995)Theorizing HeritageThe Educational Role of the Museum (1994)The Educational Role of the M…Narratology: Introduction to the Theory of Narrative (1987)Narratology: Introduction to …Language, Context, and Text: Aspects of Language in a Social-Semiotic Perspective (1987)Language, Context, and Text: …European Music Museums: Interactive Spaces for Musical Education (2025)European Music Museums: Inter…Communicating Through Sound in Museums: A Genre‐Based Framework (2024)Communicating Through Sound i…Collecting and Exhibiting Traditional and Popular Alpine Folk Music in Austria—A Case Study (2022)Collecting and Exhibiting Tra…Museums as sites for displaying sound materials: a five-use framework (2021)Museums as sites for displayi…Curatorial practice in popular music museums: An emerging typology of structuring concepts (2018)Curatorial practice in popula…The Discovery of Grounded Theory: Strategies for Qualitative Research. (1968)Outline of a Theory of Practice. (1980)Situated Learning: Legitimate Peripheral Participation. (1994)Discourse in English Language Education (2012)Using multi-dimensional analysis to explore cross-linguistic universals of register variation (2014)The Embodied Turn in Research on Language and Social Interaction (2015)Can improvisation be ‘taught’?: A call for free improvisation in our schools (2009)Universals in the world’s musics (2011)Ethnomusicology in Times of Trouble (2014)Genre in Three Traditions: Implications for ESL (1996)Artifacts and cultures-of-use in intercultural communication (2003)The Challenge of Academic Language (2010)A Bibliometric Analysis of Research on Intangible Cultural Heritage Using CiteSpace (2019)Emotional conflict and trauma: the recovery of stolen memory using a mixed-methods approach (2021)Digitizing Intangible Cultural Heritage Embodied: State of the Art (2022)Exhibiting Interaction: Conduct and Collaboration in Museums and Galleries (2001)Beyond Learning: Exploring Visitors' Perceptions of the Value and Benefits of Museum Experiences (2008)Museums, Equality and Social Justice (2013)The Cultural Construction of Organizational Life: Introduction to the Special Issue (2011)Cultural diversity, cultural heritage and human rights: towards heritage management as human rights-based cultural practice (2012)BEING THERE TOGETHER: DARK FAMILY TOURISM AND THE EMOTIVE EXPERIENCE OF CO-PRESENCE IN THE HOLOCAUST PAST (2013)What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival (2005)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Put to the test: For a new sociology of testing (2020)Building Process Theory with Narrative: From Description to Explanation (1999)Narrative Networks: Patterns of Technology and Organization (2007)Time in Ancient Greek Literature (2007)What Is Sociological about Music? (2010)Musical Communities: Rethinking the Collective in Music (2011)Playing to the Crowd (2019)Is ‘Difficult Heritage’ Still ‘Difficult’? (2015)Iconic Religion in Urban Space (2016)A bibliometric analysis of cultural heritage research in the humanities: The Web of Science as a tool of knowledge management (2023)
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References

  • 1987Language, Context, and Text: Aspects of Language in a Social-Semiotic Perspective4,135 cited
  • 2009Music as social life: the politics of participation1,555 cited
  • 1987Narratology: Introduction to the Theory of Narrative832 cited
  • 2013Memorylands674 cited
  • 2004Intangible Heritage as Metacultural Production1628 cited
  • 2003The Cultural study of music: a critical introduction609 cited
  • 2006The study of ethnomusicology: thirty-one issues and concepts504 cited
  • 2009The Ashgate research companion to heritage and identity469 cited
  • 1994The Educational Role of the Museum464 cited
  • 2008Advances in Discourse Studies383 cited
  • 1997Genres and Registers of Discourse360 cited
  • 1995Theorizing Heritage314 cited
  • 1996Double exposures : the subject of cultural analysis312 cited
  • 2007The Invention of “Folk Music” and “Art Music”265 cited
  • 2007Genre in Popular Music262 cited
  • 2003Discourse and Social Life172 cited

Cited by

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2018
Curatorial practice in popular music museums: An emerging typology of structuring concepts
7 cited
  • 2021Museums as sites for displaying sound materials: a five-use framework7 cited
  • 2024Communicating Through Sound in Museums: A Genre‐Based Framework2 cited
  • 2025European Music Museums: Interactive Spaces for Musical Education1 cited
  • 2022Collecting and Exhibiting Traditional and Popular Alpine Folk Music in Austria—A Case Study1 cited