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"I Want the Microphone": Mass Mediation and Agency in Asian-American Popular Music
1 references·14 citing·52 second hop
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this work references cited by second hop

References

  • 1984Music Mediated and Live in Japan37 cited

Cited by

  • 1996Interpreting Electronic Sound Technology in the Contemporary Javanese Soundscape54 cited
  • 2009Stand-up Comedy as a Genre of Intimacy49 cited
  • 2016Autotuned Belonging: Coptic Popular Song and the Politics of Neo-Pentecostal Pedagogies28 cited
  • 2003The Verse of the Godfather28 cited
  • 2009Making the Dream a Reality (Show): The Celebration of Failure inAmerican Idol22 cited
  • 2017Out of Thin Air: Configurability, Choreography, and the Air Guitar World Championships17 cited
  • 2015Embodying scales of Filipina/o American sporting life: transnational sporting cultures and practices in the Filipina/o diaspora14 cited
  • 2011"If I was not in prison, I would not be famous": Discipline, Choreography, and Mimicry in the Philippines13 cited
  • 2009Osing Kids and the banners of Blambangan Ethnolinguistic identity and the regional past as ambient themes in an East Javanese town11 cited
  • 2012P.RAMLEE'S MUSIC: AN EXPRESSION OF LOCAL IDENTITY IN MALAYA DURING THE MID-TWENTIETH CENTURY7 cited
  • 2018Karaoke, Queer Theory, Queer Performance5 cited
  • 2001The Hawaiification of Sipsongbanna: Orality, Power, and Cultural Survival in Southwest China4 cited
  • 2003The Recording Studio as Fetish

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3 cited
  • 2009More than "Just" Music: Four Performative Topoi, the Phish Phenomenon, and the Power of Music in/and Performance2 cited