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Brownface Minstrelsy: “José Jiménez,” the Civil Rights Movement, and the legacy of racist comedy
16 references·3 citing·33 second hop
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this work references cited by second hop

References

  • 1959The Sociological Imagination8,886 cited
  • 1994Racial Formation in the United States: From the 1960s to the 1990s6,198 cited
  • 2013Racism without racists: color-blind racism and the persistence of racial inequality in America2,689 cited
  • 1960The Sociological Imagination2,148 cited
  • 2010Ethnic and Racial Studies1,770 cited
  • 2012How the Irish Became White1,343 cited
  • 1993Elite Discourse and Racism1,267 cited
  • 1992Discourse and the Denial of Racism1,221 cited
  • 1992The Wages of Whiteness: Race and the Making of the American Working Class.1,179 cited
  • 2005Laughter and Ridicule: Towards a Social Critique of Humour1,141 cited
  • 1999How Jews became white folks and what that says about race in America881 cited
  • 2000Humor as a Double-Edged Sword: Four Functions of Humor in Communication879 cited
  • 2010The White Racial Frame866 cited
  • 1996Love and Theft: Blackface Minstrelsy and the American Working Class.803 cited
  • 2013Interpretive research design: concepts and processes757 cited
  • 2007Analysing Newspapers673 cited

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Cited by

  • 2017Racism without Hatred? Racist Humor and the Myth of “Colorblindness”112 cited
  • 2016Debating rape jokes vs. rape culture: framing and counter-framing misogynistic comedy95 cited
  • 2017Race, gender, and comedy awards: from civil rights to color-blindness5 cited